Hidden behind its neoclassical facade, the Cathedral of Pamplona is witness to more than two thousand years of history. Since the 1950s, archaeological excavations carried out both in the temple and in surrounding buildings have revealed vestiges of several times: Location of the Vascones on the Arga in the Iron Age, planned the urbanism of the city of Pompelo during the Roman Empire, the process of Christianization of Late Antiquity and the cultural influences of the Visigodos, Arabs and Francos in the High Middle Ages... The oldest vestiges of the church date back to the 9th century.-X. They are centuries old, but in 924 it was completely destroyed by order of the Cordobese caliph Abd ar-Rahman III. It was rebuilt in Romanesque style in the 12th century.

In 1086, when St. Augustine's rule was established, the service of the cathedral was handed over to a monastic community, such as Lei or Iratxe, and began to receive housing in the area. Thus, the cloister was erected at the end of the thirteenth century and the beginning of the fourteenth century, in the Gothic style that was spreading in Europe, and its resemblance to that of the Baiona Cathedral is surprising. On 1 July 1390 the cathedral collapsed and was rebuilt in Gothic style, giving rise to the entire interior of the current building.

Most of the Cathedral’s buildings were created thinking only of being seen by the canonigos. And it is precisely there that there are some of the most interesting artistic manifestations of the Medieval Pamplona, for the enjoyment of the intellectual elite of the time. But they also show us visions and ways of life of the world back then.

One of the most beautiful examples was studied almost a century ago by the ethnographer Julio Caro Baroja: if we look up in the cloister vaults, scattered over here and there, the visitor will find images of the everyday life of a rural society, adorned with names of months written in Latin. From a leap, it will complete a one-year cycle in which it will discover how the Navarre society of the 14th century understood time as a cyclical reality, as a wheel marked by seasonal work.

Eleven months cycle

The allegorical images of the months appear in the keys of the vaults surrounding the cloister. There are eleven in total, from January to December, in the absence of June. Most are polychrome with intense blue and gold shades, but many of them have suffered severe wear. The visitor will need to be attentive to discover all the details of each scene at a distance.

January

The Roman god Jano is represented, with two heads, with a key in each hand. They said he could look forward and backward at the same time, and that's why they considered him as protector of doors and hallways. When identifying the month of January – or in Latin ianuarius – with it, after the winter solstice the relationship between the old and the new cycle is emphasized.

February

It is known that the winter month can be the coldest and most ungentle. Maybe that's why he's represented as a man who takes off the shoe and heats his foot, sitting next to the fire. He looks tired and wears poor clothes, he's a simple citizen.

March

A classic work this month: a man popping vineyards. Wine activity was fundamental in several counties of Navarre. In Pamplona, txakoli was produced around the Arga until the second half of the twentieth century. On Mount Ezkaba there are still some remains of the old vine.

April

With spring, the vegetation awakens. We can see a young man -- it's not clear whether he's a man or a woman -- with a bunch of leaves on each hand. Around it, oak leaves and acorns. We can imagine the mountains and forests surrounding the leading city, naked in winter and watching in spring.

May

There's a gentleman with elegant clothes. In one hand he carries a bouquet of flowers, witness a spring in full; let us remember that in some dialects he is also known as lorail. In the other hand, the hawk announced the beginning of the hunting season that the nobles liked so much.

July

July is a month of harvest and the figure's man is picking yellow wheat with a sickle. Bread was a staple of medieval society. Summer, therefore, was a very important time to secure food all year round.

Agorrila

Once the cereal was harvested, straw and grain were separated and flour was made with the grain. A neighbor appears in the yard, pulling a sledge or a mare with two horses or mares, stepping the cereal and separating the grain. In the area of Pamplona there are toponyms that reflect the old location of the eras, such as Las Eras – the old name of Estafeta Street – or Larraintxiki.

September

The work at the end of summer is to collect the fruit of the vineyards, to start the must in the lagars or lagars and then to introduce it into the kupelas to cure the wine. It's what the person in the picture does. These tasks ended with great festivities before the beginning of the fall cycle.

October

October marks the beginning of the cerealist cycle. We see a woman turning to the earth with a plough pulled by two cows. From behind, another woman grabs a grain from the bag and sows it in the air. These jobs radically changed the shape and color of the landscape, while the days became shorter.

November

We can see a dying woman with an axe. November 11 was the usual date to kill the pig: St. Martin's day ended with pre-winter work. Preserved sausages between salt and fat offered protein throughout the year. In this way, a number of products were created that today are considered very autochthonous.

December

A couple dressed in rich clothes sits on the table, while another person serves food. This is a Christmas feast, one of the most important festivities on the Christian calendar and marking the end of the year. End of one cycle and start of the other.