The most serious comic opera
All Mozart's operatic production is great, but I don't think I'm wrong if I say that Coyes
fan tutte is one of the most important moments in the production of the Salzburg musician. Using an agile and seemingly irrelevant argument, it is immersed in human weaknesses, in the very weaknesses of men and women, and in a way is a claim for tolerance. The production that AOA brought us could be curious in some ways. But I would certainly highlight his musical ingenuity, especially to conclude that it was a great representation.
It is true that the scenery chosen did not contribute much to the libretto and to the action being developed. It is also true that placing the action, more or less in the belle époque, and introducing characters that have nothing to do with it, like a small actor that goes up and down without a concrete task, does not bring interesting elements to the representation. But at least all these small eccentricities were not as serious as to distort the musical quality of this magnificent opera.
The narcotics had great moments. Xabier Anduaga once again made a big voice display. But, in addition to its immense flow and its great projection, it demonstrated that it has an excellent legato and master the demands of pianissim and refinery required by Mozart's sheet music.
Another night star was Vanessa Goikoetxea, in her role as Fiordiligi. Soprano showed a personal timbre and a song full of nuances. Particularly brilliant was Come scoglio, but maintained a level of quality throughout the representation.
The mezzo Serena Malfi also played a prominent role in Dorabella, but she lacked that glitter of Goikoetxea. It is also worth highlighting
Itziar de Unda's role in Despina, who showed great vocal and interpretative skills.
Oliver Díaz, director of the Basque Orchestra, worked with a personal perspective, perhaps with somewhat slow tempi, but he was not invasive to the singers, nor hindered the quality of the whole.
Inoren Ero Ni + Lisabö
Noiz: martxoaren 14an.
Non: Gasteizko Jimmy Jazz aretoan.
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Izotz-arriskuaren seinalea autoko pantailatxoan. Urkiola, bere mendilerro eta baso. Kontzertuetara bideko ohiko errituala: Inoren... [+]
Olor
Noiz: martxoaren 9an.
Non: Bilboko Sarean espazioan.
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Esperantza. iz. Nahi edo desiratzen dena gertatuko delako edo lortuko delako uste ona.
Izen horixe jarri zion Jokin Azpiazu Carballo Olor ermuarrak bere... [+]
Hiuzz + Bloñ + Adur
Noiz: otsailaren 15ean.
Non: Iruñeko Aitzina tabernan (Egun Motelak kolektiboa).
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Larunbat goiza Iruñean. Neguko eguzkitan lanera doazen gizon –eta ez gizon– bakarti batzuk... [+]
Things aren’t easy in fact, and it will be for one reason or another, but lately I’ve bitten my tongue more than I should for these two things: the culture of the sold out and the FOMO – the latter perhaps has to be explained, because it’s not said so many times: the... [+]
EMEADEDEI + MAHL KOBAT
WHEN: February 2nd.
IN WHICH: In the youth center of Zuia, Murguía.
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On September 20 of last year, we first heard about collective music in the profile of the social network they had just created:... [+]
All
WHEN: January 18th.
IN WHICH: Jimmy Jazz of Vitoria-Gasteiz.
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I have a question in my mind lately: how much do things change in 30 years? Yes, reader, you guessed it: I’ve just turned three decades old. It will be a... [+]
Chulería, fuck!
WHEN: 5 January.
WHERE: At the Kafe Antzokia in Bilbao.
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As I filled the room, looking down behind the railing above the theater, I've been playing to see if I find someone younger than me before the... [+]
Beyoncé at the break of an American football game in Houston, Texas. The American singer has come to the center of the stadium in a cowboy suit that she's had access to. The hat covers the nice, the legs the boots long to the knees. The scarce white suit shows her thighs and... [+]
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FERMIN MUGURUZA 40. ANNIVERSARY
When: 21 December.
Where: Bilbao in the Arena.
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Every year Bilbao will be on the 21st of December. The cider and talo, protagonists of the day, is the day of the fair of St. Thomas. This year,... [+]