Look, in recent years punk continues to give surprises in Euskal Herria. One of them is that of these lekeitio, which their name does not show. I found this album with surprise very recently, and I reiterate again that out of the clichés that seem past and immobile there are young people who reinvent and that over the years they have been accumulating in straw and poses.

The quartet, including an old man with his DNA, belongs to Lekeitio and was created on the eve of the pandemic. Among them are the rookies, Orreaga 778, The Bobby´s, both from Arka and other groups.

This first album, recorded in the study Eten de Bilbao, has been published with Mendeku Diska, author of novel and interesting works, and has distributed the songs in an original way: the anti-developmentalist A of the armosata Cementua, which gives name to the work, and the rest of the songs.

Armosat cement has a powerful message, as apocalyptic as Mad Max but more revolutionary, and it's a dark and fast punk, firm, dressed in vivid and imaginative guitars. The other side, though, has more crumb for me: Kakatzan traps the muela stronger, and in that rage I've been particularly fascinated by guitars from the East Bay Ray school. The starting point for Bixarita that comes next is the size of Dead Kennedys, but the melody is rolled and the song is gaining weight on another level. Jodidu gives life to La Perrera, a clever, discarded, high-nerve punk rock boy. Today the dirty, post-punk with a lot of rage, have an air with the USSR. Finally, Ahuhandi reminded me of several groups that opened the beginnings of hardcore-punk in Euskal Herria.

The record has made me short. In short, youth, rabid and dark pieces without sophistication, round truths written in Lekeitio that do not need a second reading, the nostalgia is over, walk the street and you feel. Often discovery, humble, and that's why very rich!