I've been around for some time. I knew there was something, I noticed it and I felt it, but I was not able to bring it into words until Lur Albizu and Eraitz Saez de Egilaz handwrote Gureak. I wish, power, until I read epic. Inevitably he added to the book a couple of pencil signs, some underscored and a small paper herb on page thirty-two.
Regarding men, both authors state that "love and, almost, fascination among them is a great mechanism to maintain their place. You just have to see their conversations. What admiration they look at, what intensity they argue and how many times they feel and say "joe, what kind of machine."
I also had other names slip to the tip of my tongue, which, even if they were OK, men never took them in their mouths.
I remember dozens of examples, many of them this last fall. I heard men "Urlia [the boy] is better than ever," today and tomorrow as well. "Did you hear the work of the watermelon chamber [the boy]? Amazing!" And I thought to myself that yes, it could have been true that the hopeless and the watermelon, but to me other names also slid effortlessly down to the tip of the tongue, that even if they were OK, men never took them in their mouths.
According to Albizu and Saez de Egilaz, "much of the time is spent seducing each other. They're happy because they know each other and they want each other a lot, also as a collective. They don't accept it, but they want it." In addition, "enthusiastic debates among them also have a part of exciting seduction. They have shared interests, they are refuge and they want to. The stepbrother is your most comfortable place."
I once decided that every time I was asked about some reference -- or songs, books, etc. -- I was talking about women, and I didn't regret anything. The truth is, it's getting easier for me, because the shelves and the table in my house are filled with work from women who fascinate me. But I realize there has been a choice. A political choice, in essence, similar to that of men who believe that they are praising and praising their brothers’ creations.
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ARGIAk ez du zertan bat etorri artikuluen edukiarekin. Idatzien gehienezko luzera 4.500 karakterekoa da (espazioak barne). Idazkera aldetik gutxieneko zuzentasun bat beharrezkoa da: batetik, ARGIAk ezin du hartu zuzenketa sakona egiteko lanik; bestetik, egitekotan edukia nahi gabe aldatzeko arriskua dago. ARGIAk azaleko zuzenketak edo moldaketak egingo dizkie artikuluei, behar izanez gero.
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