Among the hits recorded by the eldest cousin (I don't know which of the two, Aitor or Xabier) on a tape, Kill the father in the car. A fourteen-year-old girl born in the family tour literature. A story that leads us through Desasosegua, a body that remains and repeats forever.
Tell her, the song her sister wanted to hear, "yasta, it doesn't matter." And they went through endless layers, folding time needles ...
I started marking from the beginning: many against the nostalgia that I said about today's musicians are going to record us, we're a publishing house, this for boomers is a giant Tinder. My sister replied with a deaf silence and told me that she would buy tickets, “what you mean, but you come.” And in the end I couldn't stop applauding, thank you without words for a giant.
I knew it with the first song, the jellyfish were over: they were worth it, we deserved it. A big slap, a punch, he himself told orgasm to what he was feeling. For this nostalgia shapes it, we have a good material for nostalgia, it is invaluable that we are there and we were not in musical history. I saw a classic that I thought I would never see, very alive, and they shattered my supposed rigor. Be more generous with your classics, you owe your identity.
Bidali zure iritzi artikuluak iritzia@argia.eus helbide elektronikora
ARGIAk ez du zertan bat etorri artikuluen edukiarekin. Idatzien gehienezko luzera 4.500 karakterekoa da (espazioak barne). Idazkera aldetik gutxieneko zuzentasun bat beharrezkoa da: batetik, ARGIAk ezin du hartu zuzenketa sakona egiteko lanik; bestetik, egitekotan edukia nahi gabe aldatzeko arriskua dago. ARGIAk azaleko zuzenketak edo moldaketak egingo dizkie artikuluei, behar izanez gero.
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