Of the Rigodon, right?
Like James Bond, Ane Gebara AKA Lola del Rigodón, or the former inspector, and Josune Vélez de Mendizabal, a novice, beautiful and ambitious researcher AKA Susana Hotkins.
(H)adjacent room
From: Bobé Bobé
WHERE:Civic
Center of Zabalgana (Vitoria-Gasteiz)
When: 1 October
In front of a bionbo that sounds to me, a room in a house. In the middle, a death. Les Bobè Bobé (H) presents as an absurd thriller the adjoining room. Rigodón's experience and agile attitudes towards Hotkins are too motivated. A coffee, two, three… A cut of oats with milk and vacuum. To notice, the crime scene is filled with cardboard cups.
Observations, testimonies, recordings. But nothing. As the days advance there is no way to know death. The couple does what they can: attention and truth are the most valuable instruments of the oldest. The youngest, for his part, has made the ITT, OCO and BTB masters, and suspects that there is some spectrum at home. But it is nobody and you will have to give up the innovative techniques you have learned. “Every death will leave you an image that you will not forget, Hotkins,” by Rigodon’s hand.
Occasionally the light goes. And every now and then you hear the ringing of the phone. There's no one across the phone. Or yes? They're constantly doing nonsense: strange noises with their mouths, sitting movements or bad jokes, playing with chorizo ... We all laugh, but some almost explode. But this is serious. Something walks in the room next door and leaves a dead man. Who or what? It was not clear to me whether it was a giant veil or a churro as a chandelier. They evoke stories and ghosts from the past. Also a shooting. So I will clarify the case.
It's been a whole experience to go to the tip of Zabalgana on Saturday night, but it's been worth going back to the tandem play, led by Jason Guerra. It's a work prepared with mime, and sure among many laughs, that just came out of the oven. Preferably come and see them, or rather, come to their towns and neighborhoods. It is serious, but above all absurd.
It wasn't a sadness, right next door. And great despair. This year we have given birth to two creations ("Lurez Ezkutua" and "Bidasoa Mintzatu"), we have achieved great success and yet a bitter feeling squeezes my neck.
I have been working in theatre for about 30 years, writing,... [+]
TABERNERO WELL TO TAKE THE REED INSTRUCTIONS
Author and director: Patxo Telleria
Actor: Mikel
Martinez: 20 September
Place: Biltxoko (Baiona)
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Except when the client asks for the account, the voice of the... [+]
On June 28 of this year, Casa in Flames (Etxea Sutan), a dramatic comedy directed by Dani de la Orden, premiered. I told him I thought I would see him a month before the festival, when I was talking to a friend, and he recommended it to me. Although we do not always agree, the... [+]
OSCAR FOR THE OSCAR
ACTORS: Mikel Laskurain, Jon Plazaola, Oihana Maritorena and Ane Gabarain.
PRODUCTION: LaMandanga Producciones, Txalo Produkzioak
NOIZ / NON: March 2, at the Main Theatre of Donostia.
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It's not... [+]
In the maze of
the theatre I Ander
Lipus EHAZE and Susa
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Playwright Ander Lipus has published with EHAZE and Susa his publications on theatrical autobiography and theatre. In the maze of theatre I. Notebook of Bitácora and... [+]
The Park of Doña Casilda in Bilbao becomes once a year the meeting point of the street theatre. This year, the Kalealdia festival is 25 years old, and in the first week of July, 86 performances have been seen from 32 different companies.
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What place does the theater have in a showcase like the book and the Basque fair of Ziburu? Or in other words, how much does the theater of literature have? This question was the starting point for Daniel Landart and Arantxa Hirioien at the round table Zubiburu of the opening... [+]