Viva Verdi!
Recital of Verdi organized by the ABAO
Bilbao Orkestra Sinfonikoa. Director: Daniel Oren. Bilbao Opera Choir. Director: Boris Dujin. Soloists: Angela Meade (soprano), Daniela Barcellone (mezzo), Sergio Escobar (tenor), Giovanni Meoni (baritone), David Lagares (low).Place: Euskalduna Palace. Date: 24 September.
Although the 71st opera season of the ABAO will begin on October 15 with the screening of Bellini’s I Puritani, the first of five titles this season, on September 24 we had the opportunity to enjoy a first-class opera night, culminating the Tutto Verdi project.
This project, which starts in 2006 and ends this year, has programmed 30 Verdean catalogue titles with 127 actions for 17 years. In addition, it has had numerous activities that have focused on the knowledge of the human, artistic and intellectual facet of the composer. As I mentioned, with this concert they wanted to complete this project as best as possible. They were great voices that, together with the Bilbao Symphony Orchestra and the Bilbao Opera Choir, made a real feast for opera lovers.
The aria sample was varied and interesting, although titles such as La traviata, Rigoletto and Otello were missing. However, it was a good sample of Verdi's production and well interpreted.
The Gypsy Choir of Il trovatore was performed by the Bilbao Opera Choir with nuances and intensities under the direction of Daniel Oren.
Then we discovered the mezzo Daniela Barcellone, full of strength, in the O don fatale of the opera Don Carlo, with forcefulness and depth of voice that we are accustomed to. With the same stimulus and the good attitude of the scenario, Barcellone gave us several interpretations performed in the duo and trios of Aida, representing the role of Amneris. She especially highlighted in the aria L'aborrita rivale a me sfuggia, or in La fatal pietra sovra me si chiuso…, together with Angela Meader, in the role of Aída, and with Sergio Escobar, in the role of Radames.
American soprano Angela Meade was the star of the night. She's a singer who seems to have no limits. It has a full, well-lit and homogeneous voice in its entirety. It has a lot of strength in times of rage, Traditor!... Priest! Rest of you! Like in the aria, but it seduces with delicate pianissim in the most painful moments, as Qui Radames will see… Or motherland my passage. Perfect.
Tenor Sergio Escobar and baritone Giovanni Meoni acted effectively, but Meoni had some difficult time someday that did not flow correctly.
The session ended with two powerful numbers: He is a pensioner of Nabucco, full of nuances, and the Hymn of the Nations, full of enthusiasm, in which Sergio Escobar composed.
Durangoko Hitz liburu-dendan otu zitzaidan Saturraran operak merezi zuela kritika. Jose Julian Bakedanoren arrapostua batetik, liburu-dendako Gaizka Olabarriren berben ilusioa, horrenbeste urtean Hitz liburu-dendako ardura eraman izan duen Nekane Bereziartuak opera hori ikusteko... [+]
Chamber opera based on the work of Orgia
Pier Paolo Pasolini.
Music: Hector Parra.
Libretto: Calixto Bieito. Ensemble Intercontemporain.
Director: Pierre Bleuse. Scenography: Calixto Bieito. Soloists: Ausrine Stundyte (soprano), Leigh Melrose (baritone), Jone Martínez... [+]
Opera Anna Bolena de Donizetti organized by ABAO. Bilbao Orkestra Sinfonikoa. Directed by Jordi Bernacer. Bilbao Opera Choir. Directed by Boris Dujin. Soloists: Joyce El-Khoury (soprano), Silvia Tro Santafé (mezzo), Marko Mimica (bajo), Celso Albelo (tenor), Anna Tobella... [+]
Opera I Puritani de Bellini organized by ABAO. Basque Orchestra. Director: Giacomo Sagripanti. Bilbao Opera Choir. Director: Boris Dujin. Scene address: Emilio Sagi. Scenography: Daniel Bianco. Soloists: Jessica Pratt (soprano), Xabier Anduaga (tenor), Andrzej Filonczyk... [+]
The history of the opera Madama Butterfly based on a work by the writer Pierre Loti, madly in love with Euskal Herria is not well known. This is Madame Chrysanthème. It has a similar argument, although Loti's original has a happy ending and in the case of Puccini the story takes... [+]
Rigoletto is one of those works that you can enjoy a thousand times without getting tired. It is one of the most prominent operas of Verdi, with well-known and beautiful passages and an argument that attracts the public. The story of a gibose trying to protect his daughter from... [+]
One of the most interesting ABAO projects in recent years has been called Tutto Verdi. In this cycle all the operas of the composer Verdi have been represented, without exception. And the last of these operas is the one we mentioned below. Alzira.
For many reasons it was worth... [+]
It is a pleasure to be able to enjoy two works of the twentieth century that deepen the soul of women in the Euskalduna Palace. Rarely will we be able to listen to these short, live and arguably hard operas, because they're actually rarely programmed. And the truth is, we can't... [+]
It's always a pleasure to enjoy a Mozart opera. In the broad repertoire of the Salzburg composer there are genuine gemstones and not only from a musical point of view. This is the case of La clemenza di Tito, a singular work, of an introspective nature from the psychological... [+]
Operazaleok pozez itxaroten dugu OLBE-ren denboraldiaren hasiera. Eta aurten poza bikoitza izan dugu. Alde batetik, titulu eder-ederra, publikoaren kuttuna izan dugulako, eta, bestetik, interpretazio mundialak disfrutatu ditugulako. Behin baino gehiagotan entzun dugu Bilbon... [+]