Automatically translated from Basque, translation may contain errors. More information here. Elhuyarren itzultzaile automatikoaren logoa

A family around the table

Argazkia: Zoe Martikorena
Zarata mediatikoz beteriko garai nahasiotan, merkatu logiketatik urrun eta irakurleengandik gertu dagoen kazetaritza beharrezkoa dela uste baduzu, ARGIA bultzatzera animatu nahi zaitugu. Geroz eta gehiago gara, jarrai dezagun txikitik eragiten.

The body of Eugenio Agirre Álvarez has traveled from the Villava Town Hall square to the house of culture on the shoulders of his daughters and grandchildren, with the red flag opened in the coffin, dozens of people behind his body. From there it passes between four walls.

WHEN:
June 16:
Casa de Cultura de Villava

The flag of Aguirre, beyond a song by Oskorri, is now also a play presented by Ekida art. Two sisters, their three children and the management of the material heritage left by the death of their grandparents, for a thousand factors.

The careful aesthetic of the equita and, in general, of any branch of the Socialist Movement cannot be ignored. On this occasion they have also been right: simple and elegant. No excess light, few colors on the tabside and live music: Eñaut Zubizarreta Trigger cello in the hands and loop in the feet, showing that it is more often.

The work has its own pamphlet, but I do not think Ekua members intend to hide it. In this sense, the piece does not count anything new, there are no surprises in the content. Yes, in the forms. For the first time the Socialist Movement has done something in public from humor, which gives an additional point of credibility to its action. Besides the tone, the work has been enriched with other resources: the presence of a broken crown and the treatment of the flag/gown. Or, rather, I deal differently with the flag/tablecloth between mothers and children. Who had everything easier between the two generations? Who had to fight more for their future? What can we choose now? Above all, it is clear to young people that believing is not a guarantee, but a condition. And the immobile gets dust.

Sometimes the crown, the broken crown, appears as a transition between scene and scene. The Eresia play by Oier Zuñiga has a bit of its location. The broken crown will become a very large crown, with a thousand voices of bodies to speak, but everything makes it difficult for what I knew to do that to be recent. They have flashed references from a concrete collective imaginary: we have heard Eusko Gudariak and C Tangana and have seen the famous movement of Cristiano Ronaldo. The last two around humor. I have come to catch only those.

Without knowing it you cannot advance and memories have no body. I do not want to undress the plot too much, but in this family they have ended up as in many others: repeat the silenced ones. How long? Tablecloths from all houses until they have a flag.

 


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