Susan Sontag is actually very interested not only in his writings on fascism. It is also topical, since its main concern was the relationship between language and reality, a language that in turn can be consolable and destructive. The imaginary, for example, as present these days, as they happen to us, as regular home entertainment, with the battles and massacres we consume. In fact, Sontag asked a new definition of how we look at images of suffering, what we should do with them. When he was twelve, he saw the Holocaust in a bookstore. I would give my whole life, in this way, book by book, asking how you can picture that pain, how you can take it.
Because what an image says about the object it wants to show; if the image leans the truth, it offers a false intimacy: “There is an implicit attack behind all uses of the camera.” Photographs allow us to capture the reality, even the reality of the suffering of others, as a consumer heritage. Taking photos has established a voyeur relationship with the world that equates the meaning of all events. And the same photograph, according to who and who, will mean one thing or another, even the opposite; when we talk about the gaze on the pain of others, we cannot say “we”.
Kurioski, Sontag himself became the prisoner of his image, the last literary star in the United States, as defined by biographer Benjamin Moser. But sadness, every time I saw getting close to despondency, it was a push to hide behind the pages of a book, to go to the movies, to the opera. That always defended the sustainability of culture as a source of hope in a world of indifference and cruelty. Because one of the goals of culture is to make others, who are different from us, actually exist.
Bidali zure iritzi artikuluak iritzia@argia.eus helbide elektronikora
ARGIAk ez du zertan bat etorri artikuluen edukiarekin. Idatzien gehienezko luzera 4.500 karakterekoa da (espazioak barne). Idazkera aldetik gutxieneko zuzentasun bat beharrezkoa da: batetik, ARGIAk ezin du hartu zuzenketa sakona egiteko lanik; bestetik, egitekotan edukia nahi gabe aldatzeko arriskua dago. ARGIAk azaleko zuzenketak edo moldaketak egingo dizkie artikuluei, behar izanez gero.
I received your e-mail in personal mail on the strike portals. At first, like many others, I thought it was to let you know what options we have in the face of the strike. But no, the e-mail received was a political and communicative movement against the strike.
I will confess... [+]
This weekend I've been thinking about the word 'aesthetic' in relation to a phrase said by a friend: “This work is aesthetic.” I have studied the etymology of the word aesthetic, it seems that its meaning was originally perceived through the senses, and it was later associated... [+]
In recent years, the concept of industrial policy has reappeared strongly at various levels. The organization that was the hammer of neoliberalism, the International Monetary Fund, today insists that markets have been pressured to allocate resources efficiently and solve these... [+]
The other day in Bilbao, I met a friend at the Bira bar. We were very happy at the Tar and I said: “Of course, since you’re Guipúzcoa, hahahaha.” And he insisted that he was not Guipuzcoan. Without me understanding it, I kept saying, “Ah! Is it not? You were born in New... [+]
Zalantza asko izan ditut, meloia ireki ala ez. Ausartuko naiz, zer demontre! Aspaldian buruan dudan gogoeta jarri nahi dut mahai gainean: ez da justua erditu den emakumearen eta beste gurasoaren baimen-iraupena bera izatea. Hobeto esanda, baimen-denbora bera izanda ere, ez... [+]
We are in the midst of a world imperialist offensive led by the Western bourgeoisie. The form that the imperialist offensive has taken is that of war, with all its variants: economic war, cognitive and cultural war, lawfarr; and, of course, military war. Western imperialism has... [+]
I just saw a series from another sad detective. All the plots take place on a remote island in Scotland. You know how these fictions work: many dead, ordinary people but not so many, and the dark green landscape. This time it reminded me of a trip I made to the Scottish... [+]
To be honest, I don't know why I'm writing this. In today’s hostile environment, opinions of this kind are not well received. Perhaps LUZ will not publish this because it does not correspond to the opinions they have published so far (but if they have finally decided to publish... [+]
On January 15, the techno-business lobby called Cedarios presented its 6th report, Euskadi and the European Union, the shared destiny of prosperity and competitiveness. This neoliberal Think Tank, made up of eminent experts drawn from the world of finance, presented a magical... [+]
We Basques move our feet behind the witness of Korrika to proclaim that we want to survive as a Basque people in favor of our language, with the aim of the Basque Country we desire.
The tipi-tapa is the first step taken by a migrant person who leaves his homeland in Africa,... [+]
And for another year, the unions have organized prefabricated strikes for us. And we, individually, will decide whether or not to join the strike, without the need for any assembly at the school.
The strike model that I was taught is no longer in vogue, it seems. In my... [+]
Life surrounds everything, it is limited and fragile. To live good lives, it seems to me that the body knows what to do, while the mind, although it knows (when it is well informed), often sees the body deliberately silence. In this silence the mind opens itself to relations... [+]
Eroso gaude ingurunea gure egoera fisiko/emozionalera egokitzen denean. Besteak ni kontuan hartu nauenean, izan gizaki bat, objektu bat, espazio bat. Erosotasunaren klabea produktu eta espazio diseinuan beharrizan handi gisa sartu da, erosotzat jotzen dena erosgarria delako... [+]