There is one word that Maite Lopez constantly uses to present Safo: love. For example, to say: “The poetry of Safo has been considered over time as a paradigmatic expression of the desire for love” or, even, “that does not only refer to love but addresses political issues”. But now I realize that that word, love, I never used it in the column of that book. I imagine why: because it has a bad reputation, because it makes me uncomfortable, because I don't fully understand myself. This is talked about so much in literature, in film, especially in pop songs. Maybe the question is what we're talking about when we talk about love. The collection of stories by Raymond Carver does not give much answer, because it is not the function of literature, to give answers, and if it gives answers I have doubts about the good literature that can be, I have addressed Alain Badu, Éloge de l’amour.
On the one hand, there would be the philosophy against love, which considers it a palliative disguise of sex, Schopenhauer. At the other end, the one who exalts love too much, leading it to religiosity, like Kierkegaard. He placed Neron among skeptics – also in this, of course – but I have been suggested the sense that Bo gives him: love leads you beyond yourself, and proposes to experience the world, more than from your oneness, between two – he says two, but let us say three, four, as many as you want. That is, it would lead us to build a world beyond my simple impulse and, therefore, to prove what difference is. It is a construction that is maintained, that gains long, sometimes harshly, against space, the world, time. We have to act at all times, yes, cultivate, fight, care at all times. You also have to reinvent it at all times, but why not, and claim it sometimes.
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