Fiction Grammar I: (they)
(Communication is said to be fiction, unlike interpretation itself. They say that fiction is true, unlike what is false. It is said that reality is fiction, unlike fiction itself. A. Alieva)
It is becoming more and more unbearable (in parentheses) to hear, to see that unusual herbal “them”. That’s what T-shirts and graffiti do to you, as well as many voices that don’t keep quiet around, in the opinion of a critical and therefore different speech: “They deceive us” and “they want us to remove the slate we have” have been two natural examples of this morning.
"It is clear that they are responsible and responsible (they) for what hurts the world, and when we talk about them we should not specify if we are talking about who"
From the point of view of the grammar of fiction, it is obvious that its use (they) is very simple. It is clear that they are responsible and responsible (they) for what is detrimental to the world, and when we talk (about them) we should not determine whether we are talking about a personality, because we know enough. It also offers clear advantages in complicity with the other partners (they), as (they) is always far away. Blurred. And most of all, comfortably.
However, is it possible that the first person becomes a third person, going from singular to plural? And if so, who are they when they tell us about us?
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