The Iraqi entrepreneur Jaime Rodríguez Salis, who we would say now, has just died: Impeller of the Roman museum Oiasso, or founder of the winery Remellu, has offered me so many moments of happiness – especially with the latter, oh, mama; and that is to say a lot, for a rosemary like me. José Salis, maternal grandfather, painter; the mother herself, Dolores, sculptora; and her father, Luis Rodríguez Gal, Luis de Uranzu, chronicler of the Bidasoa. In 2009, he published The Republican Child of Beraun. In Spanish, of course, like his neighbor, Carlos Blanco Aguinaga, who was almost on the street, “among our friends were Luis Salis, son of the mayor, and his cousin, Jaime Rodríguez Salis, who today is an important negotiator and then the most flirty boy of the crew”.
However, I would say that what is really worthwhile is the book of Dolores Salis, Exilios (1936-1945), about the time when he lived more than life, in his words “a vulgar and happy life”, from the War of 36 to the Second World War, which knows nothing of the normal. He began writing at the age of eighty, failed his sight, left the enamel he cultivated and in a large letter Olivetti. He wrote until almost his death in 1999, when three months were short to reach a hundred years: “Old age is annoying, but there is no need to be frightened. I have to walk quickly, which, with the inevitable calm acquired, seems to be more clearly seen in the past, the distant.”
Jaime Rodríguez Salis wrote that in his childhood Euskera was widely used in Irun. Dolores Salis knew that. Luis de Uranzu lost his childhood. What would it be if all of them had written in Basque, if all of them had been written in Basque? They say Jaime's sons dominate. If they were ever encouraged to write memory books, they could have an almost virgin territory ahead of them.
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Dear Mrs:
How about summer? I hope. On this occasion, I will go to the point, with your permission.
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