Automatically translated from Basque, translation may contain errors. More information here. Elhuyarren itzultzaile automatikoaren logoa

Threaded and sour flakes

'Braulio' diskoa, Braulio taldeak autoekoizpenean ateratakoa.
'Braulio' diskoa, Braulio taldeak autoekoizpenean ateratakoa.

There are nice surprises from time to time on stage. It is the same thing that has happened to me with a group that bears a very common name and is supposed to leave no trace. It turns around what we haven't found for a long time. And here's the old dogs guilty of this new project: The founder of the Norman group, Kepa de Ondarroa, and the Eibarrés Alex, accompanied by the ondarrutarra Rubén, who has participated in a multitude of teams.

For those of you who didn't know it was Norman the open-minded, slightly crazy rocker group that emerged at the premises of Legarre in Eibar, at least to me it seems that Dead Kennedys and M-Ak drinking from a doggy to taste made a very interesting proposal. Too crazy for rockers and too heavy a load of punk and hardcore for lovers of experimentation. The team was impressive, before launching anything was finalist in competitions like Danbaka or Villa de Bilbao. He walked away carelessly. Unfortunately, it was extinguished after publishing three increasingly crazy, savage and more personal albums.

The band's guitar was created by Kepa, who decided to create a new band around her house. Little by little he has written his songs and formed a trio with Alex, a faithful (and crazy) bass player who has worked in Norman and Ruben, an experienced drummer. This EP, composed of five songs, has been recorded live in the AME study of Ondarroa with the collaboration of Axular Arizmendi.

Kepa started writing trying to create calmer tempos than in Norman, but he can't stop having a shallow shade. These are five- or six-minute songs, which decrease the strength and speed of before, and which gain intensity and acidity.

The body has everything: darkness, many rhythm changes, kinship with Ero Ni de Ino, post-rock, intimate melody and above all instrumental essence. Nature also has great rhythm changes, but it's able to make funky-post-destroy by taking Mike Watt out of a full barrel, which makes room for sweet crowns. Karroña is divided into two chapters: the dirty and spiral of jazz silk that multiplies intensity and strength, and then the presumed path of passage from the pope to the post-rock nois. Finally, Eroa appears to be Norman's bastard who is barely trying to slow down the speed.

Braulio Group. Photo: Lea Artibai and Mutriku Hitza.

 


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