Andoni Egiluz, become an avid boxer, gathers and, in the right position, throws a hook full of rage into the air. Along with these violent gestures, the movement of your hips helps keep the pace of the whole group. And his strong, deep voice goes through all parts of the audience's body.
The concert kicked off with the song Zaldia Burning from Beat Kamerland’s first album, which was released in 2017. Transparent and not very hard guitars.
By making a nod to the underground aesthetic, pants raised on the waistline, white stockings, long hair, mustaches and old school tattoos help you get deeper into the post-punk style. They have stated that they are a group with a lot of personality, both in terms of how to dress and through the passion shown.
The sounds of music seem to enter a trance or guided ecstasy situation. As if the four musicians were playing violence based on rebellion.
Ground for Dogs is the second album that highlights the presence of bass and guitar that is not fuel. The look of the cow has been the song in Basque that they have sung in the middle of the concert. And it has brought to the room an apparent calm, with a calmer rhythms. It shows more instrumental and harmonious parts that cannot be removed from the head.
There is a fascination of insanity in the outlines of this group. The fear of violence swells you in the concert. I couldn't turn a blind eye to the moving and violent movements. You get away from commercial melodies and you get into the rhythms of the 1980s that mark your identity. Helping the search for beauty in violence.
Aposapo + Mäte + Daño Dolor
When: April 5th.
In which: In the Youth Center of Markina-Xemein.
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I’ve made my way to the cheese house with the shopping cart full of vegetables, and we’ve spent the evening cutting... [+]
Olatz Salvador
Noiz: martxoaren 15ean.
Non: Deustuko jaietan.
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Martxoak beti du deustuarrontzat kolore berezia; urtero ospatzen ditugu jaiak, San Jose egunaren bueltan. Bi asteburu bete festa, eta urtetik urtera Deustuko... [+]
Inoren Ero Ni + Lisabö
Noiz: martxoaren 14an.
Non: Gasteizko Jimmy Jazz aretoan.
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Izotz-arriskuaren seinalea autoko pantailatxoan. Urkiola, bere mendilerro eta baso. Kontzertuetara bideko ohiko errituala: Inoren... [+]
Olor
Noiz: martxoaren 9an.
Non: Bilboko Sarean espazioan.
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Esperantza. iz. Nahi edo desiratzen dena gertatuko delako edo lortuko delako uste ona.
Izen horixe jarri zion Jokin Azpiazu Carballo Olor ermuarrak bere... [+]
Hiuzz + Bloñ + Adur
Noiz: otsailaren 15ean.
Non: Iruñeko Aitzina tabernan (Egun Motelak kolektiboa).
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Larunbat goiza Iruñean. Neguko eguzkitan lanera doazen gizon –eta ez gizon– bakarti batzuk... [+]
Things aren’t easy in fact, and it will be for one reason or another, but lately I’ve bitten my tongue more than I should for these two things: the culture of the sold out and the FOMO – the latter perhaps has to be explained, because it’s not said so many times: the... [+]
EMEADEDEI + MAHL KOBAT
WHEN: February 2nd.
IN WHICH: In the youth center of Zuia, Murguía.
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On September 20 of last year, we first heard about collective music in the profile of the social network they had just created:... [+]
All
WHEN: January 18th.
IN WHICH: Jimmy Jazz of Vitoria-Gasteiz.
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I have a question in my mind lately: how much do things change in 30 years? Yes, reader, you guessed it: I’ve just turned three decades old. It will be a... [+]
Chulería, fuck!
WHEN: 5 January.
WHERE: At the Kafe Antzokia in Bilbao.
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As I filled the room, looking down behind the railing above the theater, I've been playing to see if I find someone younger than me before the... [+]
