Fakir
The reading has been very rewarding for me, the voice of the Fakir of Harkaitz Cano! The writer makes a beautiful braid of fiction and reality, sometimes by Imanol Lurgain, by Imanol Lartzabal (1947-2004), and other times we are seen away from the model, as a concretion of reality. Imanolena, in fact, is an appropriate character to reflect the political evolution that Basque society experienced in the 1960s and 1990s: He went from being from ETA to being opposed to ETA, especially at a distance from the murder of Yoyes (Arakis, novel), but not only.
However, there is a problem both in fiction and in reality. It seems as if Imanol had sought his sad end by his own hand, either by a disassociated machist, by an afrantage or because he had risen up against fear. I think it is worth remembering that today, the boycott suffered by Imanol, was organized from the Abertzale left and the calls for rejection were made public, as the names of associations of blacks, singers, bertsolaris and montage of blank concerts are aligned on the petitions pages. In the novel, who makes the story, of that Basque society (us?) the collective responsibility is cleared, and it follows that the petty poet had been the victim of its hubris.
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