Automatically translated from Basque, translation may contain errors. More information here. Elhuyarren itzultzaile automatikoaren logoa

Out of edges

Demak. DEKOT. Antichoke records, 2018

The Indie is a very special tribe that has its origin or is totally lost or deleted. Thus, the transformations experienced by the music business, record companies, distributors and consumers make BBK Live independent. And there are many other scenes that have a much more independent being by nature and position than those that belong to this group in general. However, it is impossible for all those who are called indie to integrate into the same group, there are many nuances between them.

This young group of Maruri has also been seen in that tribe. The group consisted of two girls and two boys who sang in English and – it cannot be denied – were very aware of Belako’s tempo and cadence. This is your first Earth/Wind/Water/Fire job, keyboard melancholy and intense energy cocktail. But among them, the group has won the Gaztea model competition and a number of changes have taken place.

Last year they released the Single In the Ocean, with a great Manchester stroke: resting, dark and minimalist, but with some signs of energy from the 1970s. And this year the long album Demak in full in Basque and in trio format – there are no female voices anymore – giving rise to another offer.

|WhatsApp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatssapp App Whatsapp App Whatsapp App Whatsapp App Whatsapp App Whatsapp App Whatsapp Whatsapp Whatsapp Whatsapp App Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp App Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp App App App App Whatsapp App Whatsapp App Whatsapp App Whatsapp App App Whatsapp App Whatsapp App Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp App Whatsapp App Whatsapp App App Whatsapp App Whatsapp App App Whatsapp App Whatsapp App Whatsapp Whatsapp Whatsapp Whatsapp Whatsapp Whats Amildous has a debt to Pixies and mixes melodic and intense rock. The house is more intimate and rested, but playful. The order of departure is a rocker piece at a trepidious pace, with funny nuances. The listener plays with emotions and intensity when making an explosion like Kerobia's. The underground restlessness is a distressing, strong and violent one. The guest is dancing, marrying noise and disco. Imaginative electro-pop sister. And the Talako girl, pickled and transparent.

But Dekot has the courage to move forward and the ability to create on the edges of that fucking label, even in energetic rock.


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