The Bohème de Puccini is an absolutely friendly work for operatives and not so amateurs. They represent raw and real feelings: loneliness, love, solidarity, fears… The characters that appear are not so “novelescos”, but real. That is why it is so moving. It's hard not to cry at the end of history, because in one way or another we all identify with those feelings.
The production of Opus Lirica in San Sebastian went a little further. To the virtues mentioned above, he added the freshness and closeness of the group we had on the stage. They announced that tenor Francisco Corujo had problems with his throat and therefore could not “give it all” in that session, but it doesn’t matter. Although he did not walk completely round in voice, he made a courageous and convincing interpretation, very “authentic”. And that's what came to the audience.
But among all of us, we have to recognize that soprano Ainhoa Garmendia spread her brilliance in the auditorium. It offered very fine expressiveness, tenderness and technique. In the first act he made a beautiful Si mi chiamano Mimi, who was the sweetest. He gave every word the right inflection and tone to make Mimi's presentation. He knew how to give depth to his character and melt his listeners with this aria. On the other hand, we were stunned by the Where Lieta used the third act, expressive and well sung.
Soprano Helena Orcoyen brought Musetta to life. His voice is shorter but shrinks very well and thanks to it, the famous Quando m’en vo bals came very well.
Special mention is due to the Ukrainian baritone Andrei Bondarenko, who interpreted the attractive Marcello. This singer broadcasts his voice perfectly, and is heard with purity from all over the auditorium.
The Opus Lírica Orchestra, under the direction of José Rafael Pascual Vilaplana, acted precisely but without brightness. The voices, however, were well highlighted. The stage direction of Pablo Ramos and the scenery of Raúl Arraiza and Koldo Tainta were of great help to achieve this special atmosphere of closeness. Enjoyable.
Olor
Noiz: martxoaren 9an.
Non: Bilboko Sarean espazioan.
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Esperantza. iz. Nahi edo desiratzen dena gertatuko delako edo lortuko delako uste ona.
Izen horixe jarri zion Jokin Azpiazu Carballo Olor ermuarrak bere... [+]
Hiuzz + Bloñ + Adur
Noiz: otsailaren 15ean.
Non: Iruñeko Aitzina tabernan (Egun Motelak kolektiboa).
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Larunbat goiza Iruñean. Neguko eguzkitan lanera doazen gizon –eta ez gizon– bakarti batzuk... [+]
Things aren’t easy in fact, and it will be for one reason or another, but lately I’ve bitten my tongue more than I should for these two things: the culture of the sold out and the FOMO – the latter perhaps has to be explained, because it’s not said so many times: the... [+]
EMEADEDEI + MAHL KOBAT
WHEN: February 2nd.
IN WHICH: In the youth center of Zuia, Murguía.
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On September 20 of last year, we first heard about collective music in the profile of the social network they had just created:... [+]
All
WHEN: January 18th.
IN WHICH: Jimmy Jazz of Vitoria-Gasteiz.
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I have a question in my mind lately: how much do things change in 30 years? Yes, reader, you guessed it: I’ve just turned three decades old. It will be a... [+]
Chulería, fuck!
WHEN: 5 January.
WHERE: At the Kafe Antzokia in Bilbao.
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As I filled the room, looking down behind the railing above the theater, I've been playing to see if I find someone younger than me before the... [+]
Beyoncé at the break of an American football game in Houston, Texas. The American singer has come to the center of the stadium in a cowboy suit that she's had access to. The hat covers the nice, the legs the boots long to the knees. The scarce white suit shows her thighs and... [+]
FERMIN MUGURUZA 40. ANNIVERSARY
When: 21 December.
Where: Bilbao in the Arena.
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Every year Bilbao will be on the 21st of December. The cider and talo, protagonists of the day, is the day of the fair of St. Thomas. This year,... [+]
Hatortxu Rock jaialdiko 29. edizioa egingo da larunbatean Atarrabian. Sarrerak jada agortuta daude, baina txandak osatzeko laguntza behar da oraindik.