He is considered a painter: “I am a painter or at least I work with the painter’s point of view. I mean a way of seeing, and that never changes, even if it's other disciplines. I can do different things, but the point of view is always the same.” However, he has also made sculptures, and lately Manu Munistrategy andikoetxea Markiegi (Bergara, 1966) works with these two intermediate works.
She told me she was going from high school to paint, that her parents wouldn't give her time if she was in the studio. The course, learning Fine Arts, served him to unlearn what he knew. Then he spent a few years in Arteleku, in the early '90s, learning, doing workshops, painting, in the library: I was looking at all the catalogs, I was about to get the new ones.
From there he went to the galleries to make exhibitions. In the year 2000 he received the Union-Artea Prize. In 2004, in the Rekalde room, Chus Martínez curated the exhibition I am not from here. He is able to put the titles of the exhibitions. In 2007 he published a curious and wonderful book, with texts by Harkaitz Cano: Instructions for shipwrecks.
“To be another. This is the game by the artist Manu Munistrategy andikoetxea, who works in the studio of Astigarraga. In the midst of a kind of chaos, it is dedicated to research, to penetrating the skin of other artists and to taking on their jobs.” Iñigo Astiz wrote that introduction to Berria in an interview in 2011. The work of Alexander Rodtxenko, Bruce Nauman and Martin Kippenberg has been in charge of dazzling the beloved couple. The artist said: “Sometimes you don’t know where the other’s work ends and where your work begins. I freed myself at that border. I am the other.”
It's the other. There is no other way of being oneself.
Behin batean, gazterik, gidoi nagusia betetzea egokitu zitzaion. Elbira Zipitriaren ikasle izanak, ikastolen mugimendu berriarekin bat egin zuen. Irakasle izan zen artisau baino lehen. Gero, eskulturgile. Egun, musika jotzen du, bere gogoz eta bere buruarentzat. Eta beti, eta 35... [+]
This text comes two years later, but the calamities of drunks are like this. A surprising surprise happened in San Fermín Txikito: I met Maite Ciganda Azcarate, an art restorer and friend of a friend. That night he told me that he had been arranging two figures that could be... [+]
On Monday afternoon, I had already planned two documentaries carried out in the Basque Country. I am not particularly fond of documentaries, but Zinemaldia is often a good opportunity to set aside habits and traditions. I decided on the Pello Gutierrez Peñalba Replica a week... [+]
