Markos Zapiain Several terrorists (Txalaparta, 2003) mentioned on more than one occasion: Crazy young people now (Enbolike, Irun, 1998). Neither Spaniards and Basques, nor Democrats and Violent, nor the other titles featured in the bibliography of Joxe Azurmendi. Now the crazy young people, to say interesting things. “Is Kronos not a terrible old man painted by Goya, eating children, and is he a proud young man eating old sick people?” to illustrate the rupture that the young people of the return of 1955-1965 brought with us. I was once able to ask Zapiain, rather than Azurmendi's book, about the missing Emlike they created along with Joxan Elosegi: “Its objective was to promote essay and reflection in Basque. But we didn’t give Xoxa the importance he deserved and sunk.”

The only result, therefore, is Azurmendi's book, which has as subtitle Pentsetak on the cultural and current environment around the creation of ETA. The book itself was a preamble – which had to open the collection of correspondence of Nemesio Etxaniz – “something completed and stretched here and there”. He was told that it was a preamble, that it had not been completely washed: “The reader will read them soon,” he says, but then he cannot read the exchange of letters. It is not the most important thing: the text itself is sufficient to satisfy the reader’s curiosity. Above all because the X-ray of that period of 1955-1965 is very accurate – “Sometimes I think (…) that our problem is to live four centuries and three or four revolutions in a single generation”; also because ours puts him in dialogue with what was discussed at European level – “The face – and the soul – would react that the Modern showed among us has been against the reaction, because the youth has risen in the

The creation of ETA with the cultural environment of the environment, then yes, today does not take so long: “60. I guess we go back to the years. Everything is different and everything is similar. A frightened owner of a healthy conscience, Establishment, cannot re-understand a crazy young woman.” It remains in our hands to what extent the 60s are, not only the late 20th century, but also the current situation. Azurmendi’s “What’s Happening to Us?” question remains absolutely pertinent today. However, if we are not yet too far from the philosopher’s ambition: “We have not all thought the same, we have not wanted to walk the same. We want Euskal Herria to remain an archipelago, a thousand different small universes, but to be free from any place – free sea – and that dialogue between the islands is always alive”.