We want and work to imagine an entire and unique Basque Country, but there are nuances and each country has characteristics that differentiate and differentiate. A clear example of this is the melodies that have long been coming from the other side of the Bidasoa River and which have grown rapidly in the area of France. It must not be said that in the territory of Asterix, hip-hop and rap sounds are masterfully produced, referent in Europe. Also the most imaginative and dancing electronics developed in dark and clandestine clubs. And we cannot forget the rich instrumental game between post-hardcore and jazz that has been practiced in the area of Bordeaux around the Théâtre Barbey. In Ipar Euskal Herria they drink at the top of those flows, and on more than one occasion we have been given great surprises to the musical scenes and those that music lovers very much appreciate.

The new Zoo group has some of these influences and really offers the scene different proposals and a musical approach and a raw message. The Zoo is raw and wild because it requires in part the fauna and the needs of our interior: the Basque ideology, the end of the world, the culture of our ancestors, modernity without glasses of pasta (post)modernity, perfect Christianity and the apocalypse united in part.

This is the first work of the group created in Beskoitz, but its members have counted on groups such as Izate, Ikare, Mak, A, Islaia and 430, and unlike the previous ones, this time they have liberated the jungle out of school in low format, battery and voice.

The makaca opens the low-penetrating onomatopenic and gets a heavy base like the one the Belly Button and Sabot groups have long achieved and later Sheelac, rapping above. The so-called Lakasta takes more account of the game between metal and jazz, always reciting above. The cabin is darker, also has raggamuffin and Juan Pili rapes with desire and living style. Harrak has the pulse of Primus and combines the central tempo with post-hardcore and jazz. Axeria has a special, repetitive but very special riff, and the voice offers a rich onomatopeya game. Somewhere the beast of three has been appeased and the Dog has given birth to a beautiful sweeter melody and a fine rap with tribal jazzero finish. The Oreina has come a long way to date: you cannot detach from the shade of mystery and it swells up and rises to the distortion. Finally, as an epilogue, The revenge of animals, which dies in the sea of a hard rock raped from the epic rock almost flamenco.