Joseba Tapia will be one of the most prolific and chameleonic musicians in our panorama. As an accordionist, he revolutionized the corners of the world in the 1980s, and until recently, he has worked on records and disks, without making any previous project, inventing and reinventing his way.
After leaving the sound, the guitar also came to the Gaztetxe of Vitoria-Gasteiz, in the framework of the concert cycle Muinoko Hotsak organized by Gaztetxe and Hala Bedi Irratia himself, with a new project in hand: Joseba Tapia and
Besamotzak.El environmental warming work was carried out with Gasteiztarras groups Antton Aranburu and Bikiak, who offered acoustic songs of trio pop: drums, bass and guitar. In less than an hour we were left with a nice bouquet, and in another one we felt like hearing it, maybe in a more closed place.
On the contrary, tapia and friends did not need to awaken the desire of anyone, as we also appeared to some sound tests to know what was coming with. A standard rock quartet, in which one of the guitarists plays from time to time, no Joseba.En just over an
hour and a quarter, Lasarte's one revisited his trajectory playing the songs of almost all the albums he has published. There were the Enchanting of Real Politik, or the Love of Quebec, and, of course, the Besamtza of a long time ago. All changed clothes, closer to some of their originals, of which they are barely known. In a way, the songs we have played so many times are songs circulares.El abandonment of his usual instrument surprised him in his day, when he gave the voice to Captain Tximela, although, according to him, the songs of
Tapia and Leturia Band were accompanied by guitar. I think the way to play is that of the accordionist, because he acted as usual in the trikitixa: when he was not singing, he made melodies with the electric guitar, usually accompanied by pedal Wah Wah, many rockeros.El group, in general, it seemed a little new; although all the members of the group had many hours
on the stage, I think they needed some more moments.
He has returned to the plaza, where he will defend the songs he had previously defended on several tables, mandis and in most young people. After all, it is one more step from an artist who has never touched, an artist who will not go to the temple, and a rearmament that will not leave anyone indifferent. I liked it.