Frankfurteko Irratiko Orkestra Sinfonikoa Andra Mari Abesbatza
Orkestra zuzendaria: Philippe Herreweghe.
Andra Mari Abesbatzaren zuzendaria: Andoni Sierra.
Bakarlariak: Ilse Eerens (sopranoa), Marie-Claude Chappuis (mezzoa), Robin Tritschler (tenorea), Thomas E. Bauer (baritonoa), Steven Isserlis (biolontxeloa).
Egitaraua: Beethoven, Haydn, eta Brahmsen obrak.
Lekua: Kursaal Auditorioa.
Egunak: abuztuaren 27a eta 28a.
This year’s Musical Fortnight has given us good moments, no doubt. The English Baroque Soloists group, the Ballet of the Grand Theatre of Geneva, the Don Giovanni opera… we had some very interesting sessions. We have also received visits from major orchestras. We enjoyed the Budapest Festival Orchestra in its three performances, and the Frankfurt Radio Symphony Orchestra showed its high level. Founded in 1929, this group is the third oldest orchestra radio in Germany and is formed in all styles, although it specialises in romanticism. On this occasion, classicism was the protagonist of both programs. Good result.
At the first concert we heard Beethoven. Coriolano arrived at the opening with the necessary emotion, animated, temperamental. Then 9. Symphony in re minor op. 125 125. Coral was the strong afternoon dish. Director Philippe Herreweghe made a somewhat “nerdy” proposal. Maybe the versions we hear are a lot more romantic, a lot quieter, and that's why we were surprised by Herreweghe's approach. However, I found it fresh and different. The Coral Andra Mari performed her interpretation correctly. This is the 50th anniversary of the group, and the public was particularly sensitive to its work. The soloists filled their papers well but without gloss.
The next day, we got Beethoven back to the beginning. The consecration of the house was made with a very lucid opening. Concert for cello de Haydn, do mayor, hob. The VII B1, for its part, came to us rather sad and worn out. The cellist Steven Isserlis is a renowned musician who demonstrated a great technique at all times. But his sound had very few projections, on the one hand, and on the other hand, he offered a flat interpretation. It didn't even convince us to play the propina.El cant dels ocells touched, so slow, so crowded, almost unknowable. However, we soon forget all that, in Brahms 1. Symphony No. 3, do menor op. When it came to 68 jobs. Wonderful. Perfect temples, flexible fraseo, expressiveness, all about for a enjoyable version of this beautiful work. The quality of the woods (what a beautiful flute! ) and the softness of the rope. Herrewegh was completely right with the vision of this work. Sweet.
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