Mozart, Beethoven eta Brahmsen lanak. Ludwig hirukotea: Abel Tomàs, biolina, Arnau Tomàs, txeloa eta Amir Katz, pianoa. Gasteizko Principal Antzokia. Maiatzaren 26a.
Rather, regrettable. And the saddest thing is that we had unique artists and impeccable performance at the XI Grand Concert. At this end of the cycle. But we ran out of public at the Main Theater, and that was the unfortunate aspect of the program. What a shame to enjoy such a good time and at the same time realize that there was a really cold environment. The fact that the first seven lines are empty is not the best incentive for a musician. In spite of everything, the trio Ludwig acted with total professionalism and displayed magic and fascination in the theatre.
Maybe the audience of Vitoria needs a great orchestra and a prestigious soloist to come, it's true, but what happened in this concert allows us to realize the lack of culture that we are experiencing.
That's right, as I say, we saw three amazing artists on stage. The Tomàs brothers are well known for their musical arts, creators and members of the legendary Casals quartet. As restless and restless musicians, they've created more than one training. On this occasion, together with the Israeli pianist Amir Katz, they form the trio of Ludwig, which, like the quartet, is harvesting great success all over the world.
Three threesomed works brought us into the program, which was even more wonderful. Mozart's Divertiment, so delicate, in Si Bemol Mayor, KV 254 light and playful, with wind, effortlessly, ideal to open the program. From Mozart we arrived at Beethoven. Trio of this composer in do menor op. 1 is a profound work, totally classic, but that had special effects for his contemporaries, as an anticlimax ending. Both Mozart and Beethoven were interpreted by members of the trio Ludwig. It was really striking to say in some way the accuracy between the three and the “one breath.”
But the most beautiful work of the afternoon, no doubt, was the First Trio of Brahms in itself, op. It was 8. This is the first chamber music of the composer, composed at the age of 20, but since the first years his imagination, maturity and security were noticeable. The brothers Tomàs and Amir Katz did the work perfectly (how beautiful the Scherzo de valts was). We were few audiences, but great applause was heard. As a bis, they played the Viennese Fritz Kreisle March, very special, charming.
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