Automatically translated from Basque, translation may contain errors. More information here. Elhuyarren itzultzaile automatikoaren logoa

Fatal fate


04 February 2015
Zarata mediatikoz beteriko garai nahasiotan, merkatu logiketatik urrun eta irakurleengandik gertu dagoen kazetaritza beharrezkoa dela uste baduzu, ARGIA bultzatzera animatu nahi zaitugu. Geroz eta gehiago gara, jarrai dezagun txikitik eragiten.

Lesbians will have heard many times (and if it does not come here) how little film reference we have always had, how many lesbian films there are few, and in the few there are, in general, how bad we are. We always end up sad, annoyed, crazy, or, at best, dead. In recent years we have had several new films, and I think that is good, although Adele's life has drawn us a barefoot drama, or we wanted to erase the painstaking Room in Rome from our imaginary.

We are not conformists, it will also be (or it will be above all). We see how little we have with magnifying glass. And putting lesbians aside, I have the Loreak movie that I'm expecting too much to see dancing inside. I loved it, very much. I'm serious. But all of a sudden I realized that I had also been touched by this nonconformism. Three women and three destinations: being a crazy woman obsessed with menopause, a cold wife or a merciless mother-in-law until she loses her memory. Our fatal fate.
But I thought I can't blame the movies for everything, that maybe if I want to see our lives represented as happy, I should look for them somewhere else, nothing else.


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