To see the crow and twist the snout, it's all one. I am stupid, of course, and although I try to adulate adulations, the roaring of blacks is more acute. I am one of those who think that linguists should be limited to the tasks of description and that the tasks of updating, renewal and creation of the language should be left to speakers and creators. This is what verbal language is all about. Of course, dancing doesn't. That is something else. If the dancers and creators are ignorant, because the evolution and decadence of our language cannot be left in their hands – if the Basque is my language of mouth, the Basque dance is my language of body.

Crows often scream at us, fools and stupid fools. That you have to renew the Basque dances, and with any choreographic idiocy that I like, you trust us. It is useless to show the structural weakness and the innate sins of a false choreography: “Lack of roots, choreographic incoherence, syntax error, hypocrisy and hesitation, increased ignorance of tradition”. The raven’s splash will knock down the castle with a puddle: “Well, I liked it. You are traditionalist.”

In Zozo-aberria any clumsy invents any stupidity, and the candle seems perfect to update, transform, recreate an obsolete Basque dance, so much in need of renovation. But hold the peak well in the face of the temptation to enter the earth. The scope of the Basque Country is something serious, protected by eleven oath guards, whole, corresponding and hooligans: “Mendikleta no, that does not correspond to linguistic criteria for creating new words.” And trash. If you propose any nonsense, the crow will plunder you like by Olasagasti: “This has never been said in tradition.” And it's over. Crochet, crochet... The frog? Excuse me!

Tradition. Ha! What stupid eyes should abandon, modify, transform, reform, reinvent is an intangible law in a land of sailing, full of knowledge. This traditionalist view believes that in order to renew, update, create and recreate Basque dance, we should know it well, in its grammar and lexical, in its semantics and in its morphology. We don't know. Not much less. Belea believes that in the bele-aberri it invents and invents both dance and Euskera. For each of the viewpoints that study and analyze dance, there are a thousand crows that have as their object the study and research of Euskera in universities, academies, schools, public institutions, voluntary associations, professional companies and charities foundations. At best, zozo-dantzaris came to declaim with an unspoken voice some proverbs and ancient songs. Crro.