Automatically translated from Basque, translation may contain errors. More information here. Elhuyarren itzultzaile automatikoaren logoa

Youth, energy, possea and time

  • Sailing:: Eurie Night, 2013

Brothers Josu Ximun and Lore Nekane Billabeitia started studying very young music on the initiative of their parents. They were getting bored with solpheus and piano, but when they knew punk, they discovered that they had the ability to make music with the preparation they had received. In 2011, they came up with the worm, and they met Cris and Lander, who have also studied music. With an average of 16 years they began to rehearse in the district of Belako, in Mungia; hence their name.

Pixies, Masive Attack… started to versioning and their compatriot Aitor Abio offered them help. It is the former typist Abio Pilt, who has worked in the Breakdowns group and in Gaua Produkzioak, among others. Keyboards carried out the 80s post-punk and recorded models. One of them came to the Discogrande de Radio 3 program and the song Southern sea (beatiful world) was chosen the third best song of the year. In addition, they won the Gaztea model competition and had the opportunity to enjoy a concert at the BBK Live festival.

The children's quartet made itself known and began to participate in major concerts. Meanwhile, they have published their first long work, followed by acting at the San Sebastian Jazz Festival, giving two concerts with Chrystal Fighters… Eurie (Gaua, 2013) is a charming album and good songs, but it has also been very important to make direct with a lot of energy, to be a plant between indifference and the darkness of the Indians, and the feeling that there are no new projects in Euskal Herria.

I haven't been able to watch them live (outside the big festivals don't play much! ), but in the direct ones found on the internet they know how to defend the stage and, besides being a mystery, they transmit a lot of energy. The album opens with the song Sea of confusion and collects most of the meanings of pop noise with the keyboard and distortion. Haunted house is a remnant post-punk that develops the same melody and the same chord until it screams and explodes. At False step we get married New Order and The Cure and dance. Southern sea (beatiful world) is a clear new wave pearl to jump into mainstream. Molly and Pete is more solemn, more orchestral, but after all, it's pop.El Vandalisme's akelarre noise-punk consumes dancing altogether, it's wild. At Stop contraditions also youth and emotion go crazy adding intensity to the punk of 77 and adding until it burns in distortion (in hell).The black horse is alive, mysterious and playful. Monday is a strong man, with an impressive bass, who accompanies both Delorean and The cure. In conclusion, Eurie plays with the contrasts between crib songs and the storm, as Nick Cave does.

In short, youth, anger, energy, post-punk mystery of the 80s (and keyboard), bailability, noise urgency (King Pixies!) ), manage the scenery, artistic aesthetics and pose well. I am not asking for more! In addition, lightning and thunder, if praise does not affect them! They must also be managed! ) They're still 18!


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