Here's the contemporary philosophy: I make photos, so I'm.

We've become like those Japanese who looked at us on vacation and laughed at us. The importance of photography has been greater than what we want to store in the photo.

Photography has been democratized. Or warmer?

Except the management of power, everything that is democratized melts away. When someone can stop belonging to an elite, the possibility of finding insignificant photographs increases, but also of finding interesting things.

You have to find it soon, you don't have many days left for the photograph.

If all phones have one or more cameras, how can you say you don't have many days left? Another thing can be the figure of the professional photographer.

At least, traditional photography has died; long live digital photography!

I don't care about changing support, because history can be told in the same way. However, it is true that with the change of support some uses have changed.

We live in a paradigm shift and complain.

Change always bothers us, because we have to find new ways to play, but change itself is not bad, it's a matter of where we change.
Registration, truth, memory, file, identity, fragmentation... Where are the values left?

The record, the memory, the file -- they're their own photographs. Before, we have images of times passed by many photos of unconsciousness of it. Now the same thing will happen.

And the photo doesn't lie, but the photographer does.

The photograph does not tell the truth, it is also the result of the use of the photograph or the photographer.

The art of light will no longer be, to see if it is the art of light.

I've never been worried about whether the picture is art or not.

The truth is that photographers are concerned about the loss of jobs.

We are all concerned about the loss of jobs, because we too eat and pay taxes; but besides losing my salary, I also have a headache about the disappearance of the photojournalism function.

Photos in paper media: necessary, to write less?

And to offer the reader an easier page to read, to introduce the color, to give the feeling that the journalist was there -- except to inform him.