The cosmos: The cello melody of Pello Ramirez occupies the hall of the Bastero Cultural Center. Everything is ready. Posters of the Rikardo Arregi Awards on the wall. Chairs waiting for guests; microphone waiting for words. Chaos: a nervous reporter cursing wireless internet connections. In the end he can’t tell the event via Twitter and leaves the job for later. Take out more traditional resources – pen, paper – and try to take a photo of the event in the afternoon.
Four names: Beñat Sarasola, Imanol Murua,
Baleike and Luz. When they received the award, everyone had something to say. Sarasola was the first to get on the stage. He received the Nueva Periodista Award for literary criticism published in the newspaper Berria and pointed out that, although he did not feel like an authentic journalist, his works for the press made literature very useful. The author of this chronicle has heard the words of Sarasola sitting next to a well-known editor; and the editor emphasizes that, as he knows, for the first time a literary critic has won one of our journalistic awards. It is also a sign of the development that the genre is having, therefore, this year’s New Journalist Award.
It was Immanuel Muro’s turn. The jury made a Special Mention to the journalist –the chronicler’s doubt: shouldn’t the office be written here in capital letters?–. The reason is:
The Loyola Wings, of course. Murua completes the sequence of the 2006 peace talks in this book, revealing many nuances, clarifying the facts that were under the mist. Taking the floor, however, Murua criticizes his book for having a “bad” and “predictable” ending. And the press has reflected on the role it should play in our Problem – here the chronicler is less hesitant to put the big print on it. It is said that journalism cannot resolve conflicts, but it should at least try not to interfere with the solution. A note worth taking, no matter what happens in the future.
The
magazine Baleike has won this year’s Grand Prix. They live on paper as well as on the web. The director, Gorka Zabaleta, who received the award and stood in front of the public, proclaimed the status of the popular press: “What matters most to the public is the information that is nearby.” Close, in the monthly magazine; close, every day on the Internet: news, blog community, multimedia... The Zumaia communication project will continue to play a role.
And,
last but not least, the Light. The Dean of the Basque press has received an Honorable Mention as a reward for his 90-year career. The director, Xabier Letona, spoke on behalf of the entire Luz team and reflected on the current situation of communicative projects in Basque. According to Letona, it is important to preserve the historical heritage, but the projects that are alive, those that operate now and here are the most important. For this reason, he pointed out that, under the threat of the economic crisis, the sector and the institutions must come together.
Video of the award
ceremony
Xabier Letona Argiako zuzendariak saria jasotzean esanak
Batzuetan 90 urte pasatu behar dira ohartzeko horrek zer esan nahi duen. (...) Guardia Zibilak Egunkaria itxi zuenean, esate baterako, laster ohartu ginen horrek zekarren kalteaz, komunikabide batek bere hiztun komunitatearentzat duen garrantziaz. Eta ez pentsa euskaldun oso, kontziente eta konprometitua izan behar denik hortaz ohartzeko, Gomez Bermudez epaileak ere horixe bera argudiatzen zuen Egunkaria auziko absoluzio epaian.
Oso desberdina da komunikabide bat itxi eta, beraz, hil, edo berau akituta hiltzea. Baina hiztun komunitatearentzat ondorioa bera da: ez du gehiago komunikabide hori eta kito.
Ez dakit krisi sasoi honetan euskal prentsaren egoera zein den, baina panorama ezagututa, pentsatzen dut alarma guztiak piztuta izango direla, gorri-gorri. (...) Egoera tamalgarria da prentsaren eremuan eta ni erabat harrituta nago euskal prentsan nola ez datozen itxierak bata bestearen atzetik.
Askotan konplexua sortzeraino entzun behar izan dugu, kultura eta hizkuntza subentzionatuarena, artifizialki bizitzearena eta gisakoak. Eta orain zer eta gobernuek bankuak salbatzen dituzte. Eta milioika euro bideratzen dira autoen lantegietara, altzarien salmentara, eliteko kirola bultzatzera, azpiegitura erraldoietara… Eta gu ginen diru-laguntza publikoetatik bizi ginenak. (...) Honekin bakarrik azpimarratu nahi dut zerbait sendo bultzatu nahi denean, suspertu eta aurrera atera nahi denean, gure instituzioak gogotik inplikatzen direla horretan, ahaleginean eta dirutan. Eta logikoa da gainera.
Baina ez da hori euskal prentsaren kasua. Ez dugu halako sostengurik sumatzen, inondik inora. (...) Ez nuke nahi hau salaketa gisa hartzea. Hausnarketa da hau. Instituzioei arduratsu jokatzeko dei bat izan nahi du honek, dei zintzoa. (...) 90 urteko ibilbidea saritu da hemen eta zalantzarik ez, ondare historikoa garrantzitsua da, baina garrantzitsuena oraina da, oraindik bizi diren proiektuak, garrantzitsua etorkizuna da. Ez, ez dugu autoen gurpilak edo sukaldeko garbigailuak baino gutxiago izan nahi. Eta hala sentitzen gara. Euskal prentsan urte luzez ari gara bakoitza berean, itota eta elkarlanari bide eman ezinean. Ea lozorro horretatik esnatzeko indarrak topatzen ditugun. Behar dugu.
Bukatzeko, bi pertsona aipatu nahi nituzke, azken 30 urteko Argiarentzat oso garrantzitsuak. 1980an beraiek egin zuten posible Zeruko Argiatik Argiarako jauzia: Joxemi Zumalabe zena eta Joxemari Ostolaza. Argiako lan talde osoaren izenean, mila esker eta zorionak 90 urte hauek posible egin dituzuen guztioi.