They are not the easiest times in the world for cultural programming, but, nevertheless, adapting to the particular situation in which we find ourselves, some cultural events have advanced. The contemporary culture center Tabakalera of Donostia-San Sebastian, for example, under the slogan #TabakaleraEtxea, is organizing events from home. On Fridays, the cycle Three Looks, three Passages has been organized.
These are round tables on women filmmakers starring people related to film and feminism. The mechanics of the colloquiums are as follows: each of the guests will choose the passage of a film and from there they will go to more general themes, always with the cinema in the center.
This Friday is the fourth session, the first in Basque. The rapporteurs will be Maider Fernández Iriarte – director who has given something to talk to The Letters of Jordi –, Maider Oleaga – author of Muga, El paso y Espacio past Berlin, among others – and Leire San Martín – head of education at Tabakalera and coordinator of the Feministaldia Festival. Lur Olaizola, coordinator of the Tabakalera film unit and film director, will be in charge of moderating the colloquium.
The session, starting at 19:00, can be followed live via the lower screen.
Edurne Azkarate said from the micro stage that the Basque film has little Basque in the celebration of the San Sebastian Film Festival. The phrase echoes for its truthfulness. In the architecture scene you can repeat the same motto and I am sure that in so many other cultural... [+]
Bound in Heaven
Address: Xin Huo
Country: China
Duration: 109 minutes
Premiere: Not implemented
Run away from death, forward. The man who suffers a terminal illness will do so, along with his lover, friend and travel partner. A hard but positive film, with good image... [+]
And that was Saturday and not Sunday. It was hard for him to clear up the day, because there were far fewer people on the street and there was no hurry. Some soon approached Kursaal and Victoria Eugenia Theatre, where they projected the closing movie of the night, We Live in... [+]
The ninth and final day, at a special festival that will remember me with great affection. Leaving two films risky for the last day, I'm writing this first chronicle with the music of a bar, because I didn't like the movie I saw before.
I've seen Ulysses in the program of the... [+]