A Talent show, all right, turning music into a competition, all right, promoting the idea of a great star, whatever you want, but here oil is not at the door of the house. If we raise our gaze a little, one immediately realizes that BaGo! It's a fortunate accident in the decline of ETB. I wanted to explain to the Karmen tabernacle that when I asked him for the must, please ETB, he would not repent, that the unspeakable artifact of many edges, the roller coaster of feelings, now the laughter, now the laughter, now the laughter of tears, now the kalovation, now an uncomfortable moment, compressing for half an hour all the emotional fluctuations that Can you ask for more from television?
In his eyes I do not perceive understanding, but at least he changed the chain in an unbeatable moment. Andoni Ollokiegi began the mourning between Josu González and Jokin Doral, tending the vocal cords with Laztana de Latzen. Being a very demanding song, the game has been played in a very high tone. It is known that Ollokiegi manages as a ruisir, but the level of the other two still remains to be seen. Bereziartua talked about injustice last week, because jurors didn't give him credit for Josu's lack. I support the motion in its entirety, and more when I see that the boy has been fired after today's performance. Just like Carmen. As you said to me, the level that Josu gave was above what almost all the coaches gave in the programme.
We have noticed this in two moments. On the one hand, singing Er(h) from Izaro. Alex Sardui, who accompanied Aintzane Arzamendi, was made with the Ormaiztegi rooster and had to make two boots. What hasn't come out of your throat? He pitifully criticized the falsehood of Josu González, grazing in the absence of something and falseting. Secondly, in Huntza Zer izan’s song, Iker Villa has stumbled strongly on the stage – yelling “Donostia, Baraka, this is BaGo!” – and has started with good intent to make the second voice, but something that went from the second to the third has emerged to the detriment of rival Gabriela Gandara – it’s already a brand, at the end. After having sold the account as I have sold it, Carmen’s contempt became more and more apparent as the program progressed. Finally, he made it clear to me: “It’s not enough here to be a coach.” And more than ever I've noticed the absence of Xabier Saldias.
I wanted to explain to Carmen: “In the absence of Saldias, they may win the waist movements, but calmness loses, elegance loses, neither what to say nor emotion. In the absence of Saldias, the falseting loses – anyone is able to sing in falset, but round the falsete, that does just Saldias. And in the absence of Saldias, he loses the choice of songs. Bereziartua criticized the election of Saldias last week for having sung an akelarre. Please, will we have to take into account those small gestures to recover the repertoires of Zone B of oblivion?” I asked him for another must, but Karma wasn't there to make nonsense. “Some of us have to go to sleep. Don’t you have anything better to do or what pussy?” “With Psalms, everything will win, Karmen. You’ll see.”