It was tension. Not even in a very dangerous move, relayed by Naxari Altuna from La Rosaleda. We started dancing like authentic sagardotal. It would not be for lack of desire. But I looked around at his gang, making calculations. “These are seven bullets; we are five poor devils, to whom the worst is, and above all to these huts I do not see much will to defend myself.” With the heat I was about to stand alone with me, but the kit, rather, was discreet. With my chest leaning at the door of the tavern, not without going screaming: We will talk next Wednesday!
And on Wednesday night, Xabier Saldias will choose one of his songs: Dancing with Life. It's over. How do you do this to me, Xabier, I thought, after I'd been about to break my face for you and give reason to the opposites? A quarter step to the left, a quarter step to the right, in the karaoke of the Imserso there is more game of legs. A raffle that allows the forces to turn to singing without sweating, and pure, in which the lucent, the brightness, the sweetness. It's always. The wild boars were right. Let's say clearly: I stumbled down and I was willing not to step back on Hernani, if I hadn't realized that all the other coaches, each and every one, do the same thing. Everyone chooses a tailor-made song, A.K.A., that serves to fill their gaps.
Iker Villa with Jokin Dorali in Twenty One Pilots Piece without artificial fire, with space for raping, without complications, or stretching. Moderate.
How will contestants develop the right skills with these 'coach' who do not want to leave the comfort zone?
Ainhoa Larrañaga will offer the Links of Andrea García Olatz Salvador. Sweet and serene, identical to the one who knows how to repair the two voices. Larrañaga himself acknowledged that he has one of the favorite pieces of recent times, and was noticed because he could not bite the tongue even in the courtesy interval that the contestant should be left at the end of the song, and because it was the coach who cut the last phrase, soft, “wings go north”, leaving the poor competitor in the background.
What to say about Ylenia Baglietto. Bruno Marsen was elected The Lazy Song by Iker Gutiérrez. He had his thigh up, his neck down, and above all, his waist thing. Then Saldias knew how to prevent it. In addition, overcoming all the precedents, he forced Iker to cut a long, slender, pampered mane for years. Is that possible? What if he plays a song from His ta Gar? Well, sorry, but if you have to sing by Niko Etxart's mouth, what?
Alex Sardui also chose a diesel song of his style for Aitzol Barbarias: Summer of 69. A stable tone, comfortable to do underneath, except in the second part of the song, which also then, schematically, left all the burden in the hands of his rival. There was also the good woman.
Anjel Alkain said with threatening air: She sang the Barbie Girl of Aqua with Eider Etxeandia, unimaginably recognizing that it is “the perfect song” for her, the best to give “comic spot”. It cannot be said more clearly.
Finally, Maria Amolategi put Aintzane Arzamendi Set Fire to the Rain de Adele. A serene song, which allows fair choreography, gives you the impression that you're doing something without lengthening it a lot. That is, the same record that you used earlier in Sugan and now in Matilda.
So things, there's one clear thing: everybody cheats here. And if the next time I go to Hernani they follow the zocalo mazas, I'll tell you: the easiest thing is to criticize Saldias. But what about contestants? How do you go up, how are you going to develop the right skills with these coaches that don't want to get out of the comfort zone?
The two forgotten in the programme are the only ones that can save the picture: The dancer Paula Bujanda and the composer Joxe Mendizabal, creator of www.erromeria.eus, who is educating the potential stars of Basque music since the time of Euskaraoke. They are, in short, the ones who follow the competition throughout the week. Through the Xtrem methodologies – ask the contestant to hook up and release with the rope, force him to take dangerous curves in a car, make ballet movements, put the cardboard boxes on top of his head and keep the balance… –, they put the contestants in extreme situations, so they can find the solution for themselves. They're not tender exercises, but you notice they know what they do: create virtue from discomfort.
The contestants of Bago!az will only succeed in becoming a big star if they are subjects of their own.