After Saldias, Andrea Garcia has made pot. Behind him, Ylenia Baglietto, who tends to lose in a few places of comfort. Then it was María Redondo who was unable to finish the sentence. Finally, once again Saldias, who has been touched to sing in Basque in the Basque Country of Oskorri. Solloó: “This song is the essence of my life. In 50 years we have worked for this.” After a moment he observed: “Xabier Amuriza was right with this song. Long live Amuriza!” At the next congress they are organizing to reflect on the black and white transmission of Basque culture I know what to propose: to sew the primetime with a session like BaGo!az. Old references in the ears of the new generations, tradition and actuality together, the perfect balance between persecution and openness, and all in an absolutely touching environment. How to overcome a combination of size.

In fact, the latter has been a great programme. Maria Redondo and Andrea García have sung the Stone Cold of Demi Lovato. Iker Villa has summed up his performance with a beautiful metaphor: “The sky has opened, a ladder has appeared and you have both come down.” Anjel Alkain and Aintzane Arzamendi have been strong in the song Sleeping in my car in Roxett, in which they have also participated. Alex Sardui and Iker Gutierrez have chosen one of the largest in the Basque scene, if not the largest: The music of the House and its Life. With this song there is no choice but to go back. Iker Villa has chosen a very suitable song for Aitzol Barbarias, Never Gonna Give You Up by Rick Astley (later, Barbarias has been the nominee for the program, so think about the level that all contestants have given today). Maria Amolategi and Sandra Vargas grab Diamonds from Rihanna, as firm as they are reassuring. With the Saldias and Eider Etxeandia programme I am not going to add much more. And finally, it was the turn of Jokin Doral and Ylenia Baglieto, who wore a sweater with the motto “Life is a circus and I am the queen of the party”, shows of his great ambitions, and have not offered a mediocre show, in the skin of Pitt Bull. In fact, it has been a vertical program, and so I would have finished the chronicle, had I not been struck by a detail.

What about Olloki? No one should do anything about the treatment given to them? Because, as you will have noticed, the coaches have always been with them, but they have trampled on them, no-one, arrinked. They're not allowed to participate in the original song. They spend the entire session on the side, like a normal audience. It is only in the end that they are allowed to go to the tram, when the jury is handing out points to contestants so that they can make time. The calvary they have to go through in order to enter competition not to mention. Getting to the head of BaGo!az is harder than qualifying for the Champions Sestao River. To start with, they have to overcome the grief of access to the program, which depends on a three- or four-minute test. Do you have your throat snoring that day? Home. Yes, you will say that some Olloki are lucky enough to get late in the competition, to keep them in the pantry as a good wine, to jump to the final straight. But let's be honest. Who is able to win and get into the fight for the best, against the most complicated attempts? The Olloki have been sentenced to short life. Those who enter the competition are also condemned to go home sooner or later. Look at what has happened today: the log-in mourning was between Noelia Calvo and Sandra Vargas. Two Olloki. In the structure of BaGo!az, the Ollokis are second-class rivals, almost exclusively decorative. It is time to accept it: the problem will not be solved if it does not get to the root. And going to the root is looking at the structure. BaGo!az needs a structural solution.

That is why I should like to propose a small change of direction. It makes no sense to have the opportunity to participate in the Go!azen series as a prize to the winner of BaGo!. It's a decline in category. Along with the BaGo! Reasonable, the road should be the opposite: Only actors from the Go!azen series will participate. Coach’s stringent advice would allow his watchtower to descend from the yuppí – it is clear that the requisitions are a little shaken – gradually, thanks to the close weekly competition, until his social reintegration. Only six contestants would reach the final grand final, but one of them would achieve, not without sweat, the dream of all music lovers would be fulfilled: Entrance to the property.