The Rö instrumental group, which is giving a great deal of talk, opened the afternoon. They have things clear and with the help of a very inspired game of lights the Azkoitiarras put us completely on a broad and rich journey that complete with very sharp cuts: pop, metal, stoner, progressive and, why not, also in orchestral environments. They had a smooth sound and the performance was elegant.

After that, I was looking forward to seeing Petti & Etxeko Uzta again for the first time in a long time. Beratarra is a teacher in composition, singing and guitar. And together with Iñigo Telletxea, Joseba Irazoki and Ander Zulaika, they form a luxury band. We saw the group comfortably, comfortably and at ease, and that can't be represented.

The Emotional Horse threw a murmur among its mouths, the most recent in a tempo resting near the country. Instead, the light on the road began to illuminate the fiercely, grabbing the American tincture and making it ferocious. In the no-fault nest he put his feet and his voice in the Basque song, and then he gave us a sticky classic, well-aged Eman eta hartu. The evenings without laurel also have their base in folk despite the impulse it acquires in the pop-rock; and the guitars Ni naiz ilunagoa took the helm the painful melancholy of Neil Young and Antietam.

TELLETXEA looks great, but as always puts a firm foundation; Zulaika firmly and enjoying; Irazoki taking music and nuances to the guitar in his world; and Petti, worrying about the sound and talent of his voice.

In the adult crib song they resumed their placid tempo, but it was screwing and growing as it erupted. Your eye, in his worm, did not look like this. With a riff as the axis of Stones and Velvet flying, the band's virtuoso performed a rocker, proud and sticky piece. And once you take the speed and the tempo… to hell: How it's not pub-rock, rocker and completely rhythmic; Compact Questions from Etxarte's Eskual rock and roll school (accompanied onstage by Balerdi's Zaratrusta electric); and Balerdita with Uncle Tom's third sued guitar and given away by Running down dream (i.e. by Tom Petty).

What else? For being born with sweetness, multiplying the rhythm and sounding it to the end, Morricone was able to write the Final on a Saturday night, and they fired from the rocker, heavy and sticky, the hit Ez barkatzen.