The seventh long work leaves the oven and on March 16 will offer the first concert in Donostia, in the House of Culture Intxaurrondo, where the tickets have been exhausted. The 10-track record has called human noise. In late February he made all the public pieces, and before, in the interval of two weeks, three singles: the Trojan horse, Ez nengoen have bertan and Vesna Vulovic.

As part of the press appearance to present the album, which took place at the Kafe Antzokia in Bilbao, Anari has climbed to the top floor of the building and visited the radio studios Bilbao Hiria. He says he has pulled the record out of his usual tempo, in a process that has made him "natural." And he adds, "I need time to get out of the drive and into another."

In 2016 he published his album Epilogoa, which has been almost eight years. It has interspersed works like the LP that picked up the version of Vinu, songs and love and the song Efemérideak, or the song Lagun izoztua, for the Circles oropenak collection, but it intuited people asking for another album. And I confess that he also needed it. "It gave me signals."

In relation to the new album, he says, "I've accumulated ideas and I've distributed them for songs." And he also says he has the feeling of "some small discoveries."

Anari speaks, perhaps more than usual, of today's social issues on the album Human Noise. And that's why she thinks she's approached Ana from my first album: "I've developed my songs from intimacy and melancholy so far, but now there's been a kind of collusion between my character and the songs that I've written, I've tried to get my inner world through the songs."

For example, with the song Inmolazioa, the protagonist of the person who is watching the news, says: "They tell you the news of a volcano, you look at that hypnotic lava and then tell you Gaza, the pictures of the massacre... and you go on Instagram and the same thing; elegant selfies, suddenly melting hard videos, feminicides constantly...