The storm comes with the Spleen
- As the wind blew with fury, the sound of the drum accelerated the heartbeats of its listeners' hearts. Ainara's red lips were the sign of a dark room, blackened by shouts and distorted sounds. And the understanding of the trio was the basis on which crackings were supported.
Ainara LeGardon and the band
When: 11 February
Place: Sala Baratza de Vitoria-Gasteiz
The long black melena of a red lips called for movement from the first moment of the concert. He asked Hector as if it was the last battery he played in his life, for example in the song “La Isla (until broken)”. However, the involuntary presence of the bass was what dominated the elegance of the band.
The guitar's noise was looking for the beauty of dirt. The ears experienced new sounds with all the tools at our fingertips; in the song “Témpano” they discovered the mixture of different sounds. Progressively, the song becomes noise and ends suddenly.
Among the obscene noises and the kicks that broke the silence, the “Agota” appeared. One of those slow, complicated songs that shows the coordination between guitar and drums. From Ainara's mouth came the tender, raw words that eroded the surfaces in a murmur, leading them to the world of stupidity, to hypocrisy.
Sometimes voices, guitars and changes in intensity are enough to get caught up in the songs, but if you add battery and low, they send you to a fascinating singularity.
Upcoming concerts:
29 March: Beratu Festival of Oñati
on March 30: Markina-Xemein
Immersed in a parallel world of strange noises, in which the retreat of the gaze on the stage becomes an impossible mission. In this cloudy atmosphere is the elegance of LeGardon to play the guitar. On your right, the presence of a tape echo surprises you. Ainara produces strange, surprising sounds, never heard. What at first glance seems like an old and vulgar gadget, gives intensity and strength to the show on stage.
An independent, American, folk and blues rock work that focuses on the smallest details and that aims to give priority to the quality of the work. The collectivity of the subjective intimism of this artist lies in the concerts that at first seem strange to you, but which in the end embark on admiration.
Transparent Beings
When: April 20th.
In which: In the Plaza of the Castle of Pamplona.
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The concert is only half an hour away in the Plaza del Castillo de Pamplona; but it is still half empty, because it is raining. Whether... [+]
Aposapo + Mäte + Daño Dolor
When: April 5th.
In which: In the Youth Center of Markina-Xemein.
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I’ve made my way to the cheese house with the shopping cart full of vegetables, and we’ve spent the evening cutting... [+]
Olatz Salvador
Noiz: martxoaren 15ean.
Non: Deustuko jaietan.
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Martxoak beti du deustuarrontzat kolore berezia; urtero ospatzen ditugu jaiak, San Jose egunaren bueltan. Bi asteburu bete festa, eta urtetik urtera Deustuko... [+]
Inoren Ero Ni + Lisabö
Noiz: martxoaren 14an.
Non: Gasteizko Jimmy Jazz aretoan.
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Izotz-arriskuaren seinalea autoko pantailatxoan. Urkiola, bere mendilerro eta baso. Kontzertuetara bideko ohiko errituala: Inoren... [+]
Olor
Noiz: martxoaren 9an.
Non: Bilboko Sarean espazioan.
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Esperantza. iz. Nahi edo desiratzen dena gertatuko delako edo lortuko delako uste ona.
Izen horixe jarri zion Jokin Azpiazu Carballo Olor ermuarrak bere... [+]
Hiuzz + Bloñ + Adur
Noiz: otsailaren 15ean.
Non: Iruñeko Aitzina tabernan (Egun Motelak kolektiboa).
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Larunbat goiza Iruñean. Neguko eguzkitan lanera doazen gizon –eta ez gizon– bakarti batzuk... [+]
Things aren’t easy in fact, and it will be for one reason or another, but lately I’ve bitten my tongue more than I should for these two things: the culture of the sold out and the FOMO – the latter perhaps has to be explained, because it’s not said so many times: the... [+]
EMEADEDEI + MAHL KOBAT
WHEN: February 2nd.
IN WHICH: In the youth center of Zuia, Murguía.
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On September 20 of last year, we first heard about collective music in the profile of the social network they had just created:... [+]
