Recentemente tivemos unha aparición arquitectónica na Escola de Arquitectura de San Sebastián. No marco dunha tese doutoral e da man do arquitecto Ibon Telleria, presentouse unha variante do coñecemento do caserío vasco. A achega di que a construción inicial dos caseríos do modelo de lagar pode situarse ao redor de 1450 anos, cando até agora foron datados no século XVI. Os caseríos eran fábricas da produción de sidra da época e o territorio vasco funcionaba como máquina de produción de sidra, sendo o caserío a unidade da máquina. O caserío non pode ser diferenciado dos terreos rurais que lle rodean, un sen nada. E o caserío e os seus arredores convertéronse en entidades paisaxísticas.
Os caseríos do país eran estruturas de madeira, realizadas con árbores da zona. Eliminemos a pedra do noso arquetipo arquitectónico vasco. Seis vans formaban a estrutura e todos seguían unha modulación e unha proporción determinada no pé, a mostra estrutural de picado de mazás atopábase no centro e na plataforma da primeira planta, adaptándose ás condicións requiridas. Lagarra é un sistema que se desenvolvía mesmo en países afastados, situados nos arredores do edificio, e cuxa estrutura se sitúa no coñecemento da construción de madeira europea. Eliminemos o noso carácter illado dos nosos mitos.
Debemos imaxinar os caseríos que chegaron a nós como un patchwork. Desde a súa construción até a actualidade sufriron numerosos cambios, non só na súa distribución interna, senón tamén na súa estrutura, construción e acabados exteriores. Gardan na súa materia tanta información, viviu tantas situacións, soubo distinguir todas as superficies de capa visibles e entender que non é un traballo calquera. Ibon Telleria di que hai que aprender a escoitar o caserío. En calquera caso, é necesario saltar o caserío desde unha imaxe estática á comprensión dun fotograma. Só por este camiño abriremos o imaxinario do caserío, ampliaremos a súa beleza e construiremos camiños para amar de verdade.
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