Complexos
Cristones
Elkar, 2022

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We often think that everything is normalized, engulfed and assumed by capitalism. In this way, we have inevitably believed that the risk of rock has also remained in nothing. There is no shortage of reasons, but there are exceptions. Ask if not the young people who founded Christ in Arratia. Playing with all the topics of rock, besides offering powerful and convincing performances, they have long walked on the edge.

Later, in the prolonged pause of the pandemic, among many other ideas, they were thought to start with the group by zero, and the path was rearranged with the name of Cristonas. And look, who and Elkar have wagered on them with the next album.

The work that began this new phase in which the essence (almost) of Christ is maintained in the lawsuit was Ahobe, composed of eight pieces, in which four people with capital letters in the Basque rock (Niko Etxart, Aiora Renteria, Jose Mari Bizardunak, Roberto Moso) and a Spanish (Olana Liss) participated.

The sympathetic Bizirik gaude, arising from the polvorization of the pandemic, begins with unstoppable work, impregnated with the rock of the 1970s, AC-DC and the vanity of rock. On the contrary, Boogie boogie, who follows the order, it was time!, is the long-awaited meeting by Niko Etxart and Pello Artabe, who would put his hand on the Minuette mesanocho of Hapa de los arratianos. This is the time, Moso, the 1970 rock, almost epic. On the other hand, the boat burns a hard rockera that has become hit!a and which Aiora enriches. Gora Euskadi ataskatua Blues - gambling den rock bloated by a bearded. And pulling the style palette, Akamusin gives birth to a piece of soul-rock with touches of funky, with the help of the great Olana Liss.

Back on this long journey, Argizeriak clarifies its best-known essence, an intense and shiny n-roll rock, and finally, rest with the sensible Trufa acoustic piece.