Automatically translated from Basque, translation may contain errors. More information here. Elhuyarren itzultzaile automatikoaren logoa

Fire and smoke, together

'Toto' | NOIZ: urtarrilak 15 | NON: Gezala aretoa (Lezo) | Egilea: Mafalda Bellido | Itzultzailea: Kepa Errasti | Konpainia: Hika teatroa | Zuzendaria: Agurtzane Intxaurraga | Aktoreak: Miren Gojenola eta Asier Hernandez // Argazkia: Hika Teatroa
'Toto' | NOIZ: urtarrilak 15 | NON: Gezala aretoa (Lezo) | Egilea: Mafalda Bellido | Itzultzailea: Kepa Errasti | Konpainia: Hika teatroa | Zuzendaria: Agurtzane Intxaurraga | Aktoreak: Miren Gojenola eta Asier Hernandez // Argazkia: Hika Teatroa

Expectations are higher when it comes to a premiere. The public has no reference whatsoever to the work and hopes it will be good for its staging. Pressure and nervousness are greater, therefore, for creators, but this does not have to be negative. The first one occupies a special place in the experience box. On January 15th, I had the Sunday, the rain without wanting, and the audience sat very well, thrilling the first time in the chest.

Unconditional, endless and loyal love. Faithful and unilateral. Blind and dependent. Iconic, mythical, romantic, heroic. Realistic? Natural? I don't mean an affective-sexual relationship between two people, but one that shows a dog with its owner. Against the game that the play has used, because its game is to talk about love with the excuse of a dog, the relationship of Mai and Joselu. Toto makes an escape when he was with Joselu, a former Maire couple. They just left the relationship, but they reunite because they have a dog in the bathroom, in shared custody. They had it. Or they will. Because we don't know anything about animals because they don't know how much verbal time to speak. But the past, the present and the future have room in the work, mixed the three, like the thought of the characters. In the meantime, they are told theirs and the two, they hold him to account and put the pain on the responsibility of the other. Cries and noises, trying to fill gaps: physical and emotional. Personal and plural. Me and us in two parts.

Dog love is not the only symbol that uses the play. He also mentions apples and chamomiles, representing responsibility, care and concern. Nature, work of years, fruit, tradition and life. Start and end of the representation. Wood, fire and smoke.

In this work the viewer cannot be distracted because the literary language he uses can no longer be heard superficially. Why it first incites and then builds history. For the actors, it is surely not easy to follow the rhythm they use, as they are not silenced at any time. The word is very important in this work. The scenography has little weight, they are symbols, they move in a single moment, they are sorted or joined. Audio is also fine. And two actors. They've created an easy theater play to move to any theater or any corner. But being simple shouldn't be confused with being superficial.


You are interested in the channel: Antzerkia
On violet balloon

By:
Mirari Martiarena and Idoia Torrealdai.
When: 6 December.
Where: In the San Agustín cultural center of Durango.

------------------------------------------------------

The fourth wall breaks and interferes directly, standing and fearless. ZtandaP is a way of counting... [+]




"Plaza theatres have gone from being a social tool to becoming a cultural product"
Peio Berterriz has just presented her solid Master's End work. Trained and experienced in theatre for years, we have talked with him about the origin of the square theatres and their functions today, with the excuse of an investigation based on the Lekorne Horseback.

On violet balloon

By:
Mirari Martiarena and Idoia Torrealdai.
When: 6 December.
Where: In the San Agustín cultural center of Durango.

-------------------------------------------------

The fourth wall breaks and interferes directly, standing and fearless. ZtandaP is a way of counting from... [+]




For the heap of courtesy, Kittof had gone through there.

We're in chaos. That has been said to us by the French media, which Parliament has brought down the government on 4 December. The fear that political, institutional, social, economic chaos will rage us all in the horde of hell comes to our veins. What comedy we're going to play... [+]


Late confession, metamorphosis performed

Fight and metamorphosis of a woman
By: Eneko Sagardoy and Vito Rogado.
WHEN: 1 December.
WHERE: Serantes Room of Santurtzi.

-----------------------------------------------------------

Immediately after proposing the plan, the person who decided to buy the tickets online... [+]




'In debt'
A natural flower

DEBT

Text and address: Agurtzane Intxaurraga.
Actors: Look at Gaztañaga, Iñake Irastorza, Jabi Barandiaran.
When and where: 25 October, Gazteszena (Donostia).

----------------------------------------

To the flower that is looking for its own light, being grasped at its... [+]



2024-10-31 | Iñigo Satrustegi
Life is not easy to say

IN
MIÑA Artedrama. Equipment: Sambou Diaby, Ander Lipus, Eihara Irazusta, Mikel Kaye.
WHERE: Arriaga Theatre in Bilbao.
NO: 25 October.

----------------------------------------------

Ibrahima balde and AMETS Arzallus counted in Basque in Miñán in 2019. Five years later... [+]




Monologues

I started to mentally write my article while I was in the car. I usually have the best ideas in the car while driving alone. I'm going to Bilbao, to the Arriaga theater. The Artedrama company is today staging the Miñan play. It's Friday, October 25.

Approaching the atrium of the... [+]


'Eukalyptus'
Wealth of nature

Text:
Nerea Ibarzabal, Jon Ander Urresti, Matxalen de Pedro and Beñar Urrutia.
Directors and playwrights: Matxalen De Pedro and Jon Ander Urresti.
Actors: Jon Ander Urresti and Beñat Urrutia.
Where: Casa de Cultura Lugaritz (Donostia-San Sebastián).
When: 20... [+]






Eguneraketa berriak daude