Automatically translated from Basque, translation may contain errors. More information here. Elhuyarren itzultzaile automatikoaren logoa

Keys and keys

Lumi | NOIZ: abenduaren 2an | NON:  Atabal aretoan (Biarritz) / MIGUEL SANTOS
Lumi | NOIZ: abenduaren 2an | NON: Atabal aretoan (Biarritz) / MIGUEL SANTOS
Zarata mediatikoz beteriko garai nahasiotan, merkatu logiketatik urrun eta irakurleengandik gertu dagoen kazetaritza beharrezkoa dela uste baduzu, ARGIA bultzatzera animatu nahi zaitugu. Geroz eta gehiago gara, jarrai dezagun txikitik eragiten.

On the eve of Basque Day, three Basque groups will act in the Atabal Hall in Biarritz. He was waiting to visit the room, as well as listen live to the new album from the Willis Drummond group and the Lumi and Orbel groups. I take advantage of the cold night to remove myself from the task list.

Lumi has been the first of three and the one that has attracted me the most. Hypnotic is the line of two by Nahia Zubeldia and Manu Matthys. It's a party of two tables, cables and buttons. Press one key and get another layer. Put a sound and take songs to another dimension. I have also read the concert with the keys:

Key 1: I've fallen from the beginning into your network. I believe that in the world of electronics, which I am going to put in this bag, it is one of the most serious bets on the Basque landscape, and an example that can be done well. Moreover, they have not been halfway to other groups. And I think they have not gained enough prestige. It sums up a friend's words perfectly: Who looks north?

Key 2: Considering everything they have to control, they have not been lost at any time. In the waters of the river and the sea, they have gripped hard at the helm. There has been noise. Because they wanted it. And they've taken us away with the effects of the voice, or they've brought us memories with more popular melodies.

Key 3: The plumes can barely raise the hands of the tables. They need to be nailed in the place so the environment doesn't escape them. However, they cannot resist dance even if it is modest. And what you want me to be told, I'm more filled with the view of the ear Nahia glued to the table, as if I wanted to feel her vibrations, than a singer going up and down on stage. I want to say that sometimes little is done and that the explosion effect it achieves may be greater. They've played four, five and hundreds of keys that have given
me to think. But briefly, because Orbel and Willis Drummond have come behind. To these two words too. Orbel was a surprise, did not know them and their scene does not disappoint. What about Willis?


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