The lovely Anna Bolena
Opera Anna Bolena de Donizetti organized by ABAO. Bilbao Orkestra Sinfonikoa. Directed by Jordi Bernacer. Bilbao Opera Choir. Directed by Boris Dujin. Soloists: Joyce El-Khoury (soprano), Silvia Tro Santafé (mezzo), Marko Mimica (bajo), Celso Albelo (tenor), Anna Tobella (mezzo), José Manuel Díaz (baritone). Scene address: Stefano Mazzonis di Pralafera. Scenography: Gary McCann. Place: Euskalduna Palace. Date: 19 November.
Anna Bolena from Donizetti is one of those great operas, impressive and with vocal difficulties. I mean, an opera to enjoy the big. And the production that ABAO has brought us has been one of those that benefit from all the virtues of sheet music and notebook. I mean, if it were a movie, it would be those of us that started with popcorn and we didn't move from the seat, we didn't blink our eyes.
Viewers had a great time. And it's no wonder. The strange adventures of King Henry VIII and the unfortunate and criminal marriage experience always awaken the brunt of listeners. And the case of Anna Bolena was very special.
But here we're going to talk about music. And from an artistic point of view, the show offered was excellent. Anna Bolena, with her voice, made real Filigranas. Soprano Joyce El-Khoury, of Lebanese origin, gave lessons of flexibility, sensitivity, power and gloss in his timbre. Va disfelice left us especially fascinated in the last aria, with great nuances in his singing.
But I think the Valencian mezzo Silvia Tro Santafé did not stay behind. She played Jane Seymour's role with outstanding and confident skill, with many nuances, where she showed great interpretive talent.
On the other hand, although the lower Croatian Marco Mimesica performed the VIII. Henry VIII, credible and deeply vocal, I do not think I am mistaken if I say that among the male voices of the program the tenor Celso Albelo, in the role of Percy, particularly highlighted. With an unbeatable technique, he always showed an acute and clean record, a wonderful hearing. It had great moments, but Vivi tu... Nel veder la tua costanza aria, singing with incredible security.
On the other hand, the scenography was carefully taken care of in detail. Far from the latest minimalist montages, this Anna Bolena experienced a remarkable stage expansion thanks to Gary McCann’s excellent work.
And, to conclude, both the work of the Bilbao Symphony Orchestra, with the delicate and rigorous direction of Jordi Bernacer, and the performance of the Bilbao Opera Choir, sober and well pasted, helped to make this opera program a memory.
Opera groups Don Pasquale de
Donizetti: OSE and Bilbao Opera Choir.
Soloists: S. Orfila M.J. Moreno, F. Demuro, D. Del Castillo, P.M. Sánchez.
Stage Director: Emiliano Suárez.
Scenography Alfons Flores.
Place: Euskalduna Palace
Date: 19 October.
... [+]
In Durango's Hitz bookstore, it occurred to me that the Saturraran opera deserved criticism. On the one hand, the response of Jose Julián Bakedano, the illusion of the words of Gaizka Olabarri from the bookstore, the illusion of Nekane Bereziartua, who for so many years has been... [+]
Chamber opera based on the work of Orgia
Pier Paolo Pasolini.
Music: Hector Parra.
Libretto: Calixto Bieito. Ensemble Intercontemporain.
Director: Pierre Bleuse. Scenography: Calixto Bieito. Soloists: Ausrine Stundyte (soprano), Leigh Melrose (baritone), Jone Martínez... [+]
Opera I Puritani de Bellini organized by ABAO. Basque Orchestra. Director: Giacomo Sagripanti. Bilbao Opera Choir. Director: Boris Dujin. Scene address: Emilio Sagi. Scenography: Daniel Bianco. Soloists: Jessica Pratt (soprano), Xabier Anduaga (tenor), Andrzej Filonczyk... [+]
Recital of Verdi organized by the ABAO
Bilbao Orkestra Sinfonikoa. Director: Daniel Oren. Bilbao Opera Choir. Director: Boris Dujin. Soloists: Angela Meade (soprano), Daniela Barcellone (mezzo), Sergio Escobar (tenor), Giovanni Meoni (baritone), David Lagares (low).Place: ... [+]
The history of the opera Madama Butterfly based on a work by the writer Pierre Loti, madly in love with Euskal Herria is not well known. This is Madame Chrysanthème. It has a similar argument, although Loti's original has a happy ending and in the case of Puccini the story takes... [+]
Rigoletto is one of those works that you can enjoy a thousand times without getting tired. It is one of the most prominent operas of Verdi, with well-known and beautiful passages and an argument that attracts the public. The story of a gibose trying to protect his daughter from... [+]
One of the most interesting ABAO projects in recent years has been called Tutto Verdi. In this cycle all the operas of the composer Verdi have been represented, without exception. And the last of these operas is the one we mentioned below. Alzira.
For many reasons it was worth... [+]
It is a pleasure to be able to enjoy two works of the twentieth century that deepen the soul of women in the Euskalduna Palace. Rarely will we be able to listen to these short, live and arguably hard operas, because they're actually rarely programmed. And the truth is, we can't... [+]
It's always a pleasure to enjoy a Mozart opera. In the broad repertoire of the Salzburg composer there are genuine gemstones and not only from a musical point of view. This is the case of La clemenza di Tito, a singular work, of an introspective nature from the psychological... [+]
