In the end he has done so. Finally, after years of progress, bertsolari Odei Barroso has taken his first solo job. Well, bertsolari doesn't. Raplari before being bertsolari. But the wisdom of the verse is well used, to say with rhyme to those who had to say and shake themselves from the periphery.

The first last name of this album is a strong and paused rhythm. “No free shooting, bullets are expensive.” Not for free, but it does not seem that it has saved much, because the bullets are expensive but has thrown them one after the other. Has anyone been saved from criticism?

Odei focuses mainly on “Rapero matxito”, “hater master” and those he sees in the music industry. Run away from so many brands, clicks and numbers and talk about the roots and compasses that anglerfish and culture need. Similar in policy: “I know everything to the fog, how to get here the tour, we have become friends of enemies until we turn friends into enemies.”

Also, the exercise of nudity, which is not useless, tells us the loss of her mother, the fears of adolescence, etc. In those who are more intimate I find more strength and more truth. Perhaps because the rest of the chosen topics are more heard, or because the ways to address them could have another turn.

Let us not fool ourselves, however, this work is great. But surely it won't be Odei's best. These new gemstones you find in each hearing only confirm the Urruña as a master of rhymes. It seems that the road to dismissing work has been difficult, we will push for the next work to be simpler.

Because the speed of words can lead to actions having a rhythm: “I was not the nickname, everyone here with power, give me whatever you want, you prefer honesty, freedom they say, normality that is sold in serious appearance, what? In my hands I hold the pen, the collection is being completed, once I know it, the brain will not swell, I will not forget my friend, my past, my huna to mature thanks to everyone.” Get it where you need it.