This young group in Mungia consists of three old foxes: Anton Goikoetxea (bass), Christian Rodriguez (drums) and Josu Ximun (vocals and guitar). The trio arose unconsciously before the pandemic and began to perform concerts claiming the sounds of the 1990s and publishing a piece of work. There are other groups in which he participates and one of them, Belako, has a very narrow agenda. Well, during the pandemic they have focused on preparing this work.

Lukie #2 is a round, fresh, instant work, but with many grips at once. About Lukegi is said to be moving in the “alternative rock sung in Euskera”. And that is that, despite the fact that a thousand years have passed, it was time – with very few exceptions – to publish the Byzantine in songs, and in ever-wider styles. And this piece has that, the pale Byzantine (or not) and the very varied musical style palette.

The song SnK was born on the banks of ‘rock’ and ‘rock’ of the 1970s and then advances in the balance between pop-rock and post-rock. Fluorescent looks simple, but it contains introverted, dancing melodies with the Pixies seal. You go crazy & 97; they run transparent guitars like the Magazine & '97; and it also has a German touch, beautiful! Transient entities can be placed in the dirt and crudety of the grunge (remembering the TAD), although then they are softened and become very rough. At Klonoa we will be singing the sheets, beware! The sorceress is more paused, more mysterious and psychedelic, almost epic. A crazy man in a field does justice to the name, adding strength, experimentation, Primus and pseudo-industrial rhythms. They then brought three sasi-ipuin: The castle is an acoustic piece, the Witch is an instrumental piece rolled and heavy and the martial and epic arrows. And before I finish, the etxafuegos: Obabatxue is a giant song: A singing that rolls a mysterious mud song in front of the big forgotten progressive groups of Al-Andalus. The album ends with the song Tzar that links noise and heavy rock with melodies.