Grammar of Fiction V: Explanatory (de Sisifo)
Communication is said to be fiction, unlike interpretation itself. They say that fiction is true, unlike what is false. It is said that reality is fiction, unlike fiction itself.
A. Alieva
Often try to use effective means to convey messages, try it enthusiastically. However, reading the faces of those in front of you realize that you have to go to other words much more easily than you want to understand. This last month of the year you've been stuck to reformulation, like the fish thorn nestled in your throat.
The load of the explanatory rocks of Sisyphus is getting heavier: when you're working to explain honestly, if you find a particularly compact or inclined emotion, which is also happening more and more, you make a tupust in your supposedly beloved environment. And when winter is yet to come, the shock comes at the end. The three T you haven't seen in any grammar, followed by: Topo, Tupust and Collision.
In the cinema you would appreciate the ability to use “that is to say”, “that is to say” and related. And maybe silence. Date. How. With whom.
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