It has its origin in the precarious situation of the industry. Many creators of this genre do not aim for success, make their movement and consider it a means of expression. They start from bases other than traditional music and the names Rusowsky, Clairo or Mori bear witness to the pop Bedroom of the moment.

The existence of differences between members of the same generation is common and proof of this is the gap between Idoia Asurmendi's old album and Bedroom's pop. There are no songs created, produced and made one afternoon in the bedroom intimacy. On this occasion, songs thought and reflected over time, formed in domestic solitude, but developed and improved collectively, predominate.

However, there is the undeniable singularity of generation Z, which has not known life without the Internet. Despite the many channels and processes of musical creation, this generation has something in common: a generalized communication window for song publishing. An example of this is Idoia, who started his journey on Youtube through the aramaio.

In these new times we also update the best of the past and the music of Asurmendi includes strokes of the past: folk, pop and indie. It brings us the melodies of The Beatles or Silvio Rodriguez, but there are also 21st century artists like Nora Jones, Ed Sheeran or Nogen.

A week after you've released your album, you've exhausted your tickets in the Jimmy Jazz room. It has triumphed before people know it. Many expectations have been created around Idoia Asurmendi and he has been classified as a Basque musician of the future. At the moment in Euskal Herria we have to see how electronic melodies develop that move away from the traditional format of band, but it is clear that the folk and indie melodies of the last decades continue to be successful.