Automatically translated from Basque, translation may contain errors. More information here. Elhuyarren itzultzaile automatikoaren logoa

Downstream of Bidasoa

It's happened to me at some point, reading a book, and, well, thinking that I would have liked to write this book, either because of the subject, or because of the level of the text, not rarely because of the two. That is, to feel envious before a book, of course healthy – healthy envy, I know no more oxymoron. This is what happened to me when I read the book Eneko Aizpuruaren Bidasoan gora, contxo, I felt a certain closeness, so much so that I wanted to be on the skin of Aizpurua, and especially on the pen.

Estrabón, Ptolemy, Pliny talked about the Bidasoa, foreign thinkers and writers, poets and Basque bardos. Now he's talking about adultery and how. We started in the marshes of Txingudi, at the source of Xorroxin, along the river bank, as did Claudio Magris with Danube. Continuing with the questions “What’s in the dark part of the back of the colorful official maps?”, moving the most interesting – landscape, uprooting – using juicy references – Sebald, Antoñana. There, “these corners are the point of arrival of the multitudinous political-touristic pilgrimages”, not everything literary, “The river speaks of its abrasive throat”. Pages of high quality, unusual in our environment, in a careful, suggestive style. “One of the tasks of literature is to show what is visible but not visible.” But in the end, when you reach the spring, there is only a “big hole.”

In short, I have felt envy, nothing healthy, and I want to tell your own experience with the river. In short, don't all the things we write enter into the conversation with all the things that have been written before? Or, in order not to be suspected of plagiarism, it could go down the Bidasoa. In case of doubt, Aizpurua himself invites us: “New outbreaks will come in this deep Xorroxin well asking whether or not there is any answer or certainty.”

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