I went with Areta (my human cultural encyclopedia) to the theater and he explained a couple of issues about the play before I entered the theater: what criticism he has received so far and what famous actors are going to act, among others. I was motivated.
As soon as I started, I was surprised by the production. Scenographies elaborated and full of details and, above all, closets as careful as special of the actors. They started the work. I'm not particularly good at following stories, I wake up easily. I find it difficult to understand those who do not say so explicitly and I know that it is my problem, the lack of custom. The thing is, with the minutes I was losing myself, I couldn't grab myself. I approached my friend's ear and whispered, "Areta, I'm exhausting, I'm not understanding anything."
Ama Kuraia
When: 20 February
NoN: Teatro Gaiarre de Pamplona
And you can't keep laughter. For Areta it was also difficult to follow the story and that reassured me in part. I have to admit that I didn't know the story, I didn't know what it was referring to, or who or when. And then a question came to my head. Should theater make sense of what it wants to tell those who don't know anything? Or is the piece built on the assumption that the public is going to have minimal knowledge?
We don't get discouraged and try to be more attentive, looking at all the details. All of a sudden I realized something was happening to me that had never happened to me: I was not able to place the work geographically and in time. The Basque did not give me any clues either. It is then difficult to achieve a timeless scenography.
Almost before each scene, messages appeared, paragraphs that brought us forward what was going on. And from time to time, they also included songs, created for the play, sung by the protagonists. The theater play that lasts just over two hours ended up singing Forever young in underwear, as they cast messages and images on their back wall. The number of people who die in wars, the percentage of soldiers they were in their day and the number of citizens and how the issue is today, among others.
That helped me understand a lot of the work, but at the same time it disposed me even more. I have to go more to the theater.
Photos of the Gaiarre Theatre:
It wasn't a sadness, right next door. And great despair. This year we have given birth to two creations ("Lurez Ezkutua" and "Bidasoa Mintzatu"), we have achieved great success and yet a bitter feeling squeezes my neck.
I have been working in theatre for about 30 years, writing,... [+]
TABERNERO WELL TO TAKE THE REED INSTRUCTIONS
Author and director: Patxo Telleria
Actor: Mikel
Martinez: 20 September
Place: Biltxoko (Baiona)
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Except when the client asks for the account, the voice of the... [+]
On June 28 of this year, Casa in Flames (Etxea Sutan), a dramatic comedy directed by Dani de la Orden, premiered. I told him I thought I would see him a month before the festival, when I was talking to a friend, and he recommended it to me. Although we do not always agree, the... [+]
OSCAR FOR THE OSCAR
ACTORS: Mikel Laskurain, Jon Plazaola, Oihana Maritorena and Ane Gabarain.
PRODUCTION: LaMandanga Producciones, Txalo Produkzioak
NOIZ / NON: March 2, at the Main Theatre of Donostia.
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It's not... [+]
In the maze of
the theatre I Ander
Lipus EHAZE and Susa
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Playwright Ander Lipus has published with EHAZE and Susa his publications on theatrical autobiography and theatre. In the maze of theatre I. Notebook of Bitácora and... [+]
The Park of Doña Casilda in Bilbao becomes once a year the meeting point of the street theatre. This year, the Kalealdia festival is 25 years old, and in the first week of July, 86 performances have been seen from 32 different companies.
On July 3, I was struck by the colorful... [+]
Through the networks the mysterious Axut Theatre was announced! people from the company a few months ago. A few dates, a lot of actors, known and not so known, and that was only going to be in the Latsaga Palace of Izura. When we realized we arrived to date and there we were in... [+]
What place does the theater have in a showcase like the book and the Basque fair of Ziburu? Or in other words, how much does the theater of literature have? This question was the starting point for Daniel Landart and Arantxa Hirioien at the round table Zubiburu of the opening... [+]