The interior heat, in the interior, reminds of the summer environment experienced in the Basque Country. Blackness and silence occupy all space and the smooth guitar of Paxkal Irigoyen starts to sound. His voice speaks about the consumption model, social relations and economic avatars. Collaborate with a guitar in the message you want to convey and the distortions and repetitions of voice that makes loop create unclassifiable and special sounds.

The solitaire ends with the story of a girl named Garazi, who wants to be a firefighter. The listener looks with caution and curiosity, awaiting the end of the story. Even though it seemed like it was going to end, Mice doomed to the scene with the surprise that they're going to sing something between the two.

They want to honor Iñigo Muguruza and much better than singing Joxe Ripiau's Kanta. They dive into people and start singing without microphones. The audience helps to sing the version made by both and the body goes through the chills caused by the chicken's juniper.

Without any changes to the stage, Mice goes onstage. He's taken the guitar under four pink foci and, putting in check what he says in the song without courage, he's started singing without fear. Look at what the future is going to bring, how it's going to reinvent itself and how it's going to keep balance in life. Although we are used to seeing the band, today is an unbeatable opportunity to get to know the eibarresa better. We have known the true origin and skeleton of the songs, in the nudity in which they have been created.

Another musical evening in the free neighborhood of Gasteiz. An essential offer that breathes singing the days between the week.