Nothing is achieved in exchange for starting to make music with many pretensions, if you want the immediate approval of the public. If, on the contrary, the strength and the motor to make music is that you enjoy it yourself, you have a long way ahead and a lot to enjoy. That's the key. And that is precisely the key to success, to our own success. This is the experience of the trio of Eibar and Azkoitia Deus Ez. Trained in dozens of battles, in 2017 they decided to start this project with a lot of motivation and conviction and they do so.

In 2017, they released Deus Ez, a feature film he drinks from rock, punk and metal. It was well received and that same year they won the first prize of the Amurrio competition. They were then invited to participate in the Katapulta tour, an initiative promoted by the Provincial Council of Gipuzkoa in 2018.

Now they've released the Sherpak album and the result is different, they've taken a leap to round the songs and get the sound they're looking for. There are several styles that unite in the outcome of the trio to understand and live music, but they unite and advance without looking around. It has been recorded with Josu Erviti in the Drum Groove Studio and mastering has been run by Victor Sánchez.

The winning theme has a rough start, a distorted dirty rock, even though it crosses melodic tempos equally. Hegoak has drunk a lot of the descendants of the Nirvana and leads both melancholy and tear. Although far away is a popero, the guitar is driven by a mysterious and beautiful riff. Sua has the sweetness, the hard rock and the weight of the metal. The chain is a raft that falls from the hard rock of the south to the metal. Hard rock, grunge and progressive salad. Looking at the abyss, Weezer and at a distance, a melodious-playful song that reminded me of Pixies. The Lord of Mercy is in a way a tribute to QUOTSA. And Sherpa sang as beautiful as melancholy.