Lights and shadows of journalism
Recently, Koro Navarro translated into Basque the essay written by George Steer on the War of 36: The tree of Gernika. A field study of modern war. It was the British journalist who told the world of the bombing of Gernika, giving news contrary to his official speech. Information is power, and the power competition is becoming more and more diffuse. In essence and in a nutshell, it is precisely this struggle that emerges in this novel, both in the context of the War of 36 and, to a lesser extent, in the context of the Basque conflict.
The issue is not new, we know very well what happened in Gernika, and the Basque novel also talks about the Santoña Convention or the attack on the prisons in Bilbao (the reader can find himself in the Sacred Heart bi of Saizarbitoria). However, the uniqueness of this novel lies in context, in form. Lists without comma, short sentences, lack of entries and cuts to follow the story, semantic plane changes or repeated syntactic structures are some of the characteristics that define the style. The poet’s voice also appears from time to time, creating eye-catching images through metaphors: “On small motor boats, red flags made the journey of urban salmon in the early afternoon” (117).
Identity, political and ethical responsibility, doubt and relationships are mixed with the newsstand, and the resources used to represent the lack of communication are related to knowledge of languages (not mastering English, speaking Spanish, but in French, etc.). ), the kind of relations between the characters, the manipulated news about war/conflict, the prison that prevents communication and the torture mechanisms to obtain information. From the War of 36 to the Basque conflict of 1998, the protagonist Galder is in London.
It is a recommendable novel, but there are some aspects that I am not entirely satisfied with, such as interpreting any situation with codes of war: “In the ballroom everything was Dresde London Nagasaki” (63). Anyway, from the innocence of paper planes, Egia poses an interesting literary game: literature is the most enriching place of letters to flee from whiteness, because imagination liberates us.
Rosvita. Teatro-lanak
Enara San Juan Manso
UEU / EHU, 2024
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Idazketa labana bat da
Annie Ernaux
Itzulpena: Leire Lakasta
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Manu López Gaseni
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When the dragon swallowed the
sun Aksinja Kermauner
Alberdania, 2024
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Itxaso Martin Zapirain
Sowing, 2024
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Dani Martirena
Irudiak: Ana Ibañez
Txalaparta, 2022
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Issa watanabe
1545 argitaletxea, 2024
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Shibli
Translation: Aitor Blanco Leoz
Igela, 2024
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history Alison Bechdel
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Miren Amuriza Plaza
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Edward Lear
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Denonartean, 2024
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Hetero
Uxue Alberdi
Susa, 2024
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Guardasola wants rain
Patxi Zubizarreta
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Ibaizabal, 2024
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Eyes on the horizon
Writer: Illustrator Miren Agur
Meabe: Ane Pikaza
Elkar, 2020
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Miren Agur Meabe has published several texts and books. He's worked with all the literary genres: children's and youth literature,... [+]
Barrengaizto
Beatrice Salvioni (Translation:
deceit Fernando Rey)
Txalaparta, 2024
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Fernando Rey has chosen the title of Barrizto to translate La malnata de Beatrice Salvioni. King says he has tried to be the voice of the... [+]