A film made in Argentina is being broadcast on a television from Spain. It is a film that all audiences can watch and that has as protagonist Ratoncito Pérez, known in the Hispanic world and in the most Euskaldun part of the South: Barka, reader of ARGIA.
You've started watching the movie in the living room, the little ones and the big ones in the house. You soon realized that the Spanish spoken by the characters of the story is not that of the overseas Argentina, but the standard Spanish. “Don’t you think it’s weird?” he asked his peers.
In order to make a very intuitive play, you take the remote control of the television and, taking advantage of the technological advantages offered by the device, place the film in its original version. The characters start in Argentina. At that time, however, you’ve come up with a little revolt you didn’t expect: the normal version is preferred by those sitting next to you. So you've tried to pedagogy the original version. Useless.
You've come back to the sound of fiction. In the name of normality and other deficiencies not mentioned.
Bidali zure iritzi artikuluak iritzia@argia.eus helbide elektronikora
ARGIAk ez du zertan bat etorri artikuluen edukiarekin. Idatzien gehienezko luzera 4.500 karakterekoa da (espazioak barne). Idazkera aldetik gutxieneko zuzentasun bat beharrezkoa da: batetik, ARGIAk ezin du hartu zuzenketa sakona egiteko lanik; bestetik, egitekotan edukia nahi gabe aldatzeko arriskua dago. ARGIAk azaleko zuzenketak edo moldaketak egingo dizkie artikuluei, behar izanez gero.
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